Vincent van Gogh. Sunflowers. 1888.
© The National Gallery, London
For many years the British government resisted requests for the UK’s National Gallery to tour its collection, one of the world’s greatest. Now 61 of these works can be seen in Canberra.
A still from the exhibition Van Gogh Alive in Mexico.
The blasting of giant reproductions with surround sound is an experience that has little to do with the art it purports to honour.
Tom Schilling as Kurt Barnert – a slightly blurred facsimile of the famous German artist Gerhard Richter – in Never Look Away.
Pergamon Film, Wiedemann & Berg Filmproduktion, Beta Cinema
Standing out among the crowd of recent artist biopics, the new film Never Look Away peels back some unhelpful tropes that have blinkered our understanding of the artist’s process.
Detail from John Russell:
Almond tree in blossom c1887.
oil on gold ground on canvas on plywood 46.2 x 55.1 cm.
National Gallery of Victoria, Melbourne. The Joseph Brown Collection. Presented through the NGV Foundation by Dr Joseph Brown AO OBE, Honorary Life Benefactor, 2004 (2004.216)
John Russell, who was destined to become an engineer, instead became an artist in fin de siècle France – and a friend of Van Gogh, Monet and Rodin.
Behind the mask.
National Galleries of Scotland
An old Scottish master has revealed its secret after 430 years. What next from art detectives?
Loving Vince crop.
A labour of love, this groundbreaking animation took six years and hundreds of artists to bring Vincent Van Gogh’s vivid paintings to life.
A detail from Vincent Van Gogh’s A wheatfield, with cypresses, early September 1889.
National Gallery, London. Bought, Courtauld Fund, 1923 (NG3861) © The National Gallery, London
Van Gogh’s immersion in the natural world, for his art and for its therapeutic effects, saw him observe in minute detail the changing of the seasons.
A detail from Vincent Van Gogh’s, Olive grove with two olive pickers, December 1889 Saint-Rémy, oil on canvas 73.3 x 92.2 cm.
Kröller-Müller Museum, Otterlo © Collection Kröller-Müller Museum, Otterlo, the Netherlands
The pickers and sinewy olives in this painting all strain upward towards the hope of spiritual salvation. But six months after he completed it, Vincent Van Gogh walked out into a wheat field and shot himself.
Dumile Feni’s ‘African Guernica’ - charcoal on paper.
‘African Guernica’ is an incredibly powerful work of art in many ways, importantly filling that space between the visible and the visible.