Rituals have been around for hundreds of thousands of years – but are they still useful today?
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Geographic, cultural and political identity are all part of being Indigenous.
New research shows the region’s arts organisations were a critical source of support for vulnerable people during lockdown
There have been calls for a culture change at Hockey Canada in the wake of sexual abuse allegations. But what does that mean? And how do organizations change their culture?
What might seem like ‘normal’ social greetings among many Asian communities can be felt as stigmatising for unmarried and childless women.
They come and go, hoping to attract locals and tourists but are pop-up attractions any good?
Cultural omnivores are economically and culturally privileged people who can enjoy both “highbrow” and “lowbrow” cultural products, like good and bad coffee, simultaneously.
People are puzzled when they learn they share the same false memories with others. That’s partly because they assume that what they remember and forget ought to be based only on personal experience.
Not all human societies throughout history have been patriarchal.
Fifty years later, the Summit Series still occupies a heightened role in the Canadian cultural consciousness.
These two new romances starring bold, culturally connected heroines from Redfern and Western Sydney break the genre mould – but remain faithful to what readers love about romance.
As material objects, diaries give scholars an intimate look into their subjects’ lives, including handwriting and mementos. What if diaries in the future are nothing but insubstantial digital ghosts?
This book succeeds well in describing and criticising, through many examples, how whiteness works.
Widows in Nigeria are still exposed to harmful practices.
In a country where Christians are a minority, understanding how religious groups use traditional arts and music to convey their faith and identity is important to preserve their cultural legacy.
Lumumba Hall residents are more generous and trust each other more than Livingstone Hall residents do.
Blood Sisters is untypical of Nollywood’s normal fair in a number of ways. It chooses thrill over romance and challenges taboos.
Climate artists can offer a vision of tangible networks, activities, behaviours and lifestyles that, rather than damaging the planet, support planetary — and personal — health and well-being.
Senegal’s colonial heritage has been interpreted to conceive an African future, turning colonial heritage into an archive of a possible Afrotopia.
As Islamic geometric patterns and arabesque designs have migrated globally, they’ve been adapted, and may not even be recognized as bearing the influence of Islamic societies.
Principais colaboradores
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Professor of Creative Arts, Griffith University
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Professor of Cultural Economy, University of South Australia
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Senior Lecturer in Popular and Contemporary Music, Newcastle University
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Director, Cities of Culture Research Observatory, University of Liverpool
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Assistant Professor of Biological Sciences, Vanderbilt University
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Professor of Psychology, The University of Melbourne
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Director of China-Indonesia Desk, Center of Economic and Law Studies (CELIOS)
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Associate Professor in Marketing, ESCP Business School
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Senior Lecturer in Māori Language Revitalisation, Auckland University of Technology
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Contract Faculty, Ted Rogers School of Management, Ryerson University; SEDRD Adjunct Professor, University of Guelph
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Senior Lecturer, Queensland University of Technology
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Associate Professor and Principal Fellow (Hon), School of Culture and Communication, The University of Melbourne
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Associate Professor of Human Dimensions of Natural Resources, Colorado State University
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Adjunct Faculty, Fairleigh Dickinson University
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SARCHI Ocean Cultures and Heritage, Nelson Mandela University
