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Tacita Dean, Paradise (film still), 2021, with music, Paradiso by Thomas Adès, 35mm colour anamorphic film, image courtesy the artist, Frith Street Gallery, London and Marian Goodman Gallery, New York, Paris and Los Angeles, © the artist.

How the poetically-charged art of Tacita Dean gives its audience a moment for stillness and time

Tactia Dean works across film, photography, drawing, printmaking, immersive installations, and she is now on display at Sydney’s Museum of Contemporary Art.
Yuma Taru. The spiral of life – the tongue of the cloth (yan pal ana hmali) – a mutual dialogue 2021 Ramie suspended from metal threads / 500 x 250cm (diam.); installed dimensions variable / Commissioned for APT10 Courtesy: The artist and Taiwan Indigenous Peoples Cultural Development Centre

Asia Pacific Triennial of Contemporary Art shows how our local differences demand curiosity and care

This exhibition highlights the diversity and range of artistic practices across the Asia Pacific region.
Barbara Hanrahan, Dog of darkness, 1978, hand-coloured etching with plate-tone, colour inks on paper, 35.5 x 25.3 cm, Private collection, Adelaide. © the Estate of the artist, courtesy Susan Sideris 2020

Barbara Hanrahan: an Australian feminist artist you need to know

A new exhibition at Flinders University Art Gallery highlights Barbara Hanrahan’s sensory spirit, celebrating nature and unbinding social constriction.
Fiona Hall ‘EXODUST’, 2021, burnt tree, rope, iron bell, LED lighting, eucalyptus sapling, birds’ nests, water-based oil. on burnt book, water-based oil on burnt fabric, installation dimensions variable Courtesy the artist and Roslyn Oxley9 Gallery, Sydney © the artist Photo: AGNSW, Felicity Jenkins

Despair and hope; anger and optimism: The National 2021 highlights care in Australian art

This third, and possibly final, biennial shows artists are deeply embedded in the politics of today.
Keith Haring | Jean-Michel Basquiat: Crossing Lines at the NGV International leaves out important information about who Haring was as a person and, therefore, as an artist. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York © Keith Haring Foundation Photo: Tom Ross

Why did the NGV put Keith Haring back in the closet?

At the National Gallery of Victoria’s summer blockbuster, Keith Haring, Jean-Michel Basquiat: Crossing Lines, Haring’s sexuality is obscured.
Olafur Eliasson, Denmark, b.1967 Riverbed 2014 (detail) Site specific installation. Pictured: The Louisiana Museum of Modern Art, Humlebæk, DenmarkCourtesy of the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York / Los AngelesPhotograph: Iwan Baan.

In our time of climate crisis, the exhibition Water is a subtly crafted plea

Water can give and water can take. Without it, however, we are nothing. A new exhibition presents a nuanced and gentle provocation as we grapple with drought and climate change.
Kaldor Public Art Project 3: Gilbert & George. The Singing Sculpture, Art Gallery of New South Wales, Sydney, 16 – 21 August 1973 Copyright: Gilbert & George Courtesy Art Gallery of New South Wales

The heady sense of being at the heart of public art: 50 years of the Kaldor Foundation

Fifty years after Christo and Jeanne-Claude wrapped the NSW coast at Little Bay, the Art Gallery of NSW celebrates the long term consequences of John Kaldor’s creative philanthropy.

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