Zombies in horror are often a stand-in for our collective anxieties, manifesting our fears. All Of Us Are Dead continues this grand tradition.
Academic rigour, journalistic flair
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What is it about Anna Delvey and Simon Leviev and how do gender and gender relations play a role in their schemes?
Inspired by the sensitive, handsome men they see on TV in their favorite K-dramas, they travel abroad in pursuit of a ‘soft’ masculinity they say they can’t find at home.
The mud rarely sticks.
The arrival of streaming platforms hasn’t been the silver bullet to solve timely release of content for Australian audiences.
“It can’t happen to me”: why we think we’re immune to con artist scams, how they go about swindling regular people - and why we love shows about them.
If characters on TV consumed less, research has found it can have an impact on the environmental behaviour of audiences
Despite the belief that people are deeply skeptical of strangers, study after study shows that humans are primed to trust one another.
The Netflix adaptation of Elena Ferrante’s The Lost Daughter explores motherhood as complexly as the book, but some things get lost in translation.
The movie is more than a metaphor for climate change. It is a metaphor for where 40 years of neoliberal economic policies have left us.
Some viewers purposefully seek out spoilers, others skip scenes with characters they don’t like. The advent of streaming has made viewers more actives and producers should take note.
There may be no shortage of offers after such a dramatic season.
Squid Game alludes to anti-worker violence that has permeated South Korean labour history, and reminds viewers of the need to overcome real inequalities.
In the hit Korean Netflix show ‘Squid Game,’ players are required to sign dubiously ethical contracts as their lives are assigned monetary value.
The flamboyant big-cat aficionados of the Gilded Age weren’t strangers to fierce competition, threats and bizarre drama.
Research shows that adults, even without kids, have used lockdown and the advent of streaming services, to revisit the shows they enjoyed as children.
‘Cowboy Bebop’ drew international viewers with its genre-bending fusion of American mafia movies, Italian westerns, Japanese cyberpunk, Hong-Kong style martial arts and its eclectic soundtrack.
Teens deserve to be empowered by knowledge of the pleasures of sex.
Growing up is never easy, but visualising complex ideas can help. Animation and character design allow us to put a metaphorical mirror up to society.
The unanticipated popularity of the Korean show ‘Squid Game’ highlights our relationship to debt and capitalism, but the contradictions extend beyond the show itself.
Top contributors
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Senior lecturer in Screen Media, Victoria University
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Professor of Media Studies, Queensland University of Technology
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Professor of Film and Screen Studies, University of Portsmouth
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Senior Lecturer in Writing, Literature and Culture, Deakin University
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Associate Professor, School of Media and Communication, RMIT University
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Senior Lecturer in Screen Studies, University of South Australia
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Lecturer in Communications and Media, University of Notre Dame Australia
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Associate Professor of English, Flinders University
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Senior Lecturer & Research Fellow, Sex, Health and Society, La Trobe University
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Associate Professor, Film Screen & Animation, Queensland University of Technology
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Associate Professor in Cinema Studies, RMIT University
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VC Fellow, La Trobe University
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Senior Lecturer, University of the Sunshine Coast
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Professor, Queensland University of Technology
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Senior Lecturer in Media, RMIT University
