Deborah Levy’s new novel, set in our pandemic-era present, contains the heat and desire of a European summer and the upward struggle of a soul. Jane Gleeson-White says she ‘read it like a thriller’.
André Dao has kept the legacy of his grandparents alive in Anam, a brilliant novel of immense scope that became a full quest for the truth of his family history, which spans the two Vietnam Wars.
A generation told not to trust anyone over 30 nevertheless adored Vonnegut.
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A strain of sorrow and pessimism underlies all of Vonnegut’s fiction, as well as his graduation speeches. But he also insisted that young people cherish those fleeting moments of joy.
The bestselling title is already a serious contender for the Game Awards’ Game of the Year.
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Novels aren’t responsible for the climate crisis and probably won’t solve it, but there is plenty they can do. They can make us feel for lives unlike our own; modelling careful thinking and analysis.
Short-circuiting the language of literary value, permanently wrongfooting the custodians of taste, Gravity’s Rainbow proposes a new way of thinking about what we treasure most.
Nigerian author Chimamanda Ngozi Adichie’s novel ‘Purple Hibiscus’ intersperses Igbo words and expressions.
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Polyglot texts — texts that use many languages — have become increasingly common as writers document struggles between regimes of European hegemony and decolonizing movements.
Kath O'Connor’s debut novel, Inheritance, follows two women – an IVF hopeful and her grandmother – who carry the BRCA1 gene and contract ovarian cancer. It’s very close to being memoir.
A coffin made to resemble a mermaid at a Ga funeral. The Ga people live along the southeast coast of Ghana.
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