Marine art is an important form of storytelling. Visual, performance, sculptural and moving image arts have driven the evolution of marine sciences too.
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Modern art is big business, but some artists endure throughout the ages thanks to a combination of skill, style, and context.
Freud wanted to know how da Vinci combined supreme artistic accomplishments with a technological imagination that seemingly anticipated modern science and engineering.
The murals have captured the public imagination because they play with something beyond the world of pop art – our love, fear and fascination with animals.
Jordan Prosser’s Big Time revels in the human drive to make art and forge connection, even in the most oppressive situations – and it whisks us along for the ride.
The Auckland Philharmonia’s performance of the opera Tristan und Isolde raises the inevitable ‘Wagner question’. But cancel culture is not the answer.
Until now, culturally relevant wellbeing measures have been lacking for First Nations children in Australia.
Improv performance artists are finding resonance in the fears, ideals and artistic expression evoked by the chaos of war in the early 20th century.
The artist says he chose an English civil war-era coin because ‘it is one of the few British things in the British Museum’.
A sculpture of Harriet Tubman dominates much of the opening room, questioning our idea of who gets to be commemorated.
To understand this exhibition, you need to move your body through it and dance with Adams’s sculptures, tapestries and cloud installation.
Acts of Creation is an incisive look at over 100 women artists who have created art representing their lived experiences of mothering and care-giving, from joy and grief to ambivalence.
These artworks can teach us many things about a society’s attitudes towards the human body, perceptions of the western and wider world and political supremacy.
As an ex-Bachelor contestant framed as an ‘undercover spy’, and an author who has written a novel on the subject, the two of us are intimately familiar with reality TV ‘villains’.
In a culture that seeks to make older women invisible, Julie Rrap’s latest exhibit, Past Continuous, is a gloriously defiant statement of self.
A century ago, the French writer and poet André Breton penned his ‘Manifesto of Surrealism,’ launching an art movement known for creating bizarre hybrids of words and images.
The way Lucy has been depicted in newspapers, textbooks and museums shows how today’s cultural norms influence perceptions of the past.
Rachel Cusk’s twelfth novel is strange, compelling and ferociously intelligent. It explores artists, mothers and daughters, and the ‘blankness of spirituality’ on the other side of gender.
Rediscovered legacies in London, reimagined landscapes in Liverpool, small Sculptures in Bath and Degas in Glasgow.
British monarchs have grappled with issues of representation, accuracy and flattery in portraits since the Middle Ages.
Kontributor teratas
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Honorary Senior Fellow, School of Culture and Communication. Editor in chief, Design and Art of Australia Online, The University of Melbourne
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Honorary Professor, Edith Cowan University
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Associate Professor in History of Art, University of Nottingham
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Lecturer in MA Creative Media Practice and BA(Hons) Graphic Art & Moving Image, University of the West of Scotland
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Director, Gender and Women's History Research Centre, Australian Catholic University
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Associate Head of School, School of Design, University of Technology Sydney
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Visiting Researcher in Journalism, Media and Cultural Studies, Cardiff University
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PhD Candidate, Creative Writing, The University of Melbourne
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Lecturer, School of Art & Design, Nottingham Trent University
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Professor of Computer Science and Director of the Art & AI Lab, Rutgers University
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Reader in Intellectual Property Law, City, University of London
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Senior Lecturer, Art and Public Engagement, King's College London
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Senior Lecturer in Sociology and Criminology, York St John University
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PhD candidate in the History of Art, University of York
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Senior Lecturer, Kingston University
