Cryonics is no longer synonymous with science fiction. What are we technically capable of doing and what do we have the right to do?
Elon Musk is an open admirer of the fictional Tony Stark, whose alter‑ego is none other than Iron Man. But Tesla’s recent financial results prove Musk to be more vulnerable than his hero…
The social structures that once enabled male artists to exploit and abuse women must be cast into the past. But castigating their work to the scrapheap is an act of cultural suicide.
In Cargo, zombies roam Australia and Aboriginal people living off the land are best equipped to repel them. The first half hour is brilliant but the film becomes far less satisfying.
We've never needed Oculus Rift to provide immersive experiences – they've been around for as long as we have.
Since Stanley Kubrick’s masterpiece debuted in 1968, fictional stories of faulty or malevolent AI are legion. What have recent advances taught us and what might the future hold?
From Dundee to Dublin, horror spectaculars are springing up like zombies from the dead.
Netflix's Chief Content Officer has said the streaming service is the future of film. But cinemas have survived many other threats to their dominance.
Interactive cinema and the arts are at the forefront of research into brain-computer interaction.
March 30 officially marked one year to go before the Brexit clock strikes. How can the "leave" camp get out of this one? The classic 1969 heist movie 'The Italian Job' provides clues.
Not just period pieces, the 2017 films "Dunkirk" and "Darkest Hour" shed light on the intense Brexit debate, and raise important questions about Britain’s fundamental identity.
Livecasting in cinemas is only part of the solution in the struggle to attract larger and younger audiences.
Sound, color and special effects transformed the moviegoing experience. These inventions decidedly did not.
The new Black Panther film has a lot in common with medieval romance tales.
The British Academy Awards are a trial-run for the Oscars – but also a win-win situation for both US and British film producers.
Vladimir Nabokov merged writing and cinema, bringing the art forms together like no one before or since.
From the superb Moonlight to the exuberant Thor: Ragnarok, it has been a rather good year for film. Here's our take on the best (and the rest).
Why are there so few films about Northern Ireland's unionists?
This is what it's like going to the cinema when you can’t see the screen.
Just about everyone knows whodunnit. But there are other reasons to see a movie than just the plot.