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Filmmaker Agnes Varda holds the Honorary Palme d'Or award at the 68th international film festival, Cannes, France. Varda, a central figure of the French New Wave who later won the Golden Lion at the Venice Film Festival, has died. She was 90. AP/Thibault Camus

Agnès Varda, a pioneering artist who saw the extraordinary in the ordinary

Beloved film director Agnès Varda died at age 90, on March 29th. She was a pioneer of French New Wave cinema and admired for her ability to understand time and see beauty outside of mechanical norms.
Lin-Manuel Miranda (centre), Emily Blunt, Julie Walters, Emily Mortimer, Pixie Davies, Nathanael Saleh, and Joel Dawson in Mary Poppins Returns (2018). Lucamar Productions,Marc Platt Productions,Walt Disney Pictures

Will the new Mary Poppins film acknowledge the suffragettes’ success?

Disney’s 1964 classic film had a suffragette theme, but it remains to be seen if the new version will celebrate votes for women.
In the film Iron Man 2, Elon Musk (playing himself, in white), meets one of his sources of inspiration: Tony Stark (R. Downey Jr.), super-hero of the Marvel Universe. DisneyPixar

Is Elon Musk a super‑hero?

Elon Musk is an open admirer of the fictional Tony Stark, whose alter‑ego is none other than Iron Man. But Tesla’s recent financial results prove Musk to be more vulnerable than his hero…
In Cargo, Martin Freeman plays Andy, a man who has to kill his wife after she turns into a zombie and travels across country with baby daughter Rosie on his back. Addictive Pictures, Causeway Films, Head Gear Films

The Australian zombie horror Cargo is burdened by its own gravitas

In Cargo, zombies roam Australia and Aboriginal people living off the land are best equipped to repel them. The first half hour is brilliant but the film becomes far less satisfying.
People are still drawn to cinema to share the mass experience of watching a movie. Shutterstock.com

Cannes is right, Netflix movies just aren’t the same

Netflix’s Chief Content Officer has said the streaming service is the future of film. But cinemas have survived many other threats to their dominance.

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