The film sees myths created by the Black diaspora come alive as Wakanda is presented as a Black utopia.
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In fairy tales there are real mothers and stepmothers and the latter are always evil.
The son of the director has argued that Americans are still too squeamish about sex to fully appreciate the film. A porn scholar disagrees.
Music and film have gone hand in hand ever since the release of ‘The Jazz Singer’ nearly 100 years ago.
Starting in the late 1990s, South Korea’s promotion of its cultural exports abroad has made it a major power on the international stage.
She eventually decided to become a public school teacher so she could influence a new generation of Americans.
From her role as sleuth Jessica Fletcher in Murder, She Wrote to originating some of the most famous roles on the stage, Lansbury’s career was impressive and expansive.
Annie Ernaux is the first French woman to win the Nobel Prize for Literature. Her autofiction masterpiece, The Years, has been called a modern In Search of Lost Time.
What do we love about seeing children perform? And how do their performances shape our understanding of childhood?
Despite portraying sex workers as agents of social change, Sanjay Leela Bhansali’s ‘Gangubai Kathiawadi’ presents sex workers as worthy victims because they didn’t choose their disreputable fates.
Despite the fact that many of its elements were alien to American audiences, the film became a sensation.
Siang Lu’s debut novel suggests whitewashing Asians for the screen is profitable. ‘People pay to see foreignness repackaged as stereotypes – and thus rendered virtually invisible.’
Our expert shares the five films from the Melbourne International Film Festival that have stuck with him.
Inspired by real events, the films tackle issues of race, gender and class in ways that will resonate with many of today’s viewers.
Ken Cameron’s film of Helen Garner’s Monkey Grip is dark, yearning, weird – and incredibly sexy – writes Ronnie Scott.
When it comes to our ethical duties to animals, representation and respect should go hand in hoof.
In his 1972 novel The Stepford Wives, Ira Levin powerfully dramatised women’s suburban alienation and men’s resistance to feminist change. Michelle Arrow traces its enduring influence.
Slated by critics, Netflix’s Persuasion isn’t as bad as it’s been made out to be.
In the latest ‘Thor’ movie, the character Jane Foster raises questions about the impact of cancer on ideas of worthiness, responsibility and power — and what it means to be a superhero.
James Caan never cared for the trappings of stardom, but he was a prolific actor for 60 years.
Kontributor teratas
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Lecturer in Communications and Media, University of Notre Dame Australia
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Associate Professor, Film Studies, University of Sydney
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Lecturer, Department of Film and Television Studies, University of Warwick
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Senior Lecturer in Screen Studies, University of South Australia
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Professor of Film Studies, Bangor University
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Professor of Screen and Design, Deakin University
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Visiting Research Fellow University of Chester, University of Chester
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Researcher and Sessional Tutor in Screen and Cultural Studies; Secretary for the Melbourne Cinematheque, The University of Melbourne
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Professor & Dean, School of Media and Communication, RMIT University
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Senior Lecturer in Film, University of Roehampton
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Professor of Film and Television, Goldsmiths, University of London
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Executive Director, Compton School
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Professor of Film and Screen Studies, University of Portsmouth
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Senior Lecturer in Film, UNSW Sydney
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Lecturer in 20th and 21st Century Literature, University of Exeter
