Ken Cameron’s film of Helen Garner’s Monkey Grip is dark, yearning, weird – and incredibly sexy – writes Ronnie Scott.
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When it comes to our ethical duties to animals, representation and respect should go hand in hoof.
In his 1972 novel The Stepford Wives, Ira Levin powerfully dramatised women’s suburban alienation and men’s resistance to feminist change. Michelle Arrow traces its enduring influence.
Slated by critics, Netflix’s Persuasion isn’t as bad as it’s been made out to be.
In the latest ‘Thor’ movie, the character Jane Foster raises questions about the impact of cancer on ideas of worthiness, responsibility and power — and what it means to be a superhero.
James Caan never cared for the trappings of stardom, but he was a prolific actor for 60 years.
Both are orders of religious warriors and both were taken down by power-hungry rulers
Since the second world war, changing ideas about how children should behave have made us fear independent and competent children.
Time dilation might seem like science fiction, but it’s not. There are astronauts circling the Earth right now who are experiencing it – though luckily nowhere near as much as Buzz Lightyear.
The company has been suspected of alluding to same-sex couples in the past but Lightyear’s kiss could be the first overt instance of LGBTQ+ representation.
Films like Princess Mononoke, My Neighbour Totoro and Nausicaä created by Hayao Miyazaki explore the perils of neglecting nature.
The outrageous martial arts scenes in Everything Everywhere All At Once pay homage to classic films like Jackie Chan’s Rumble In The Bronx and the Hui brothers’ The Private Eyes.
Marie Antoinette has become a symbol of female profligacy made up of as much history as she is of modern film and art.
The film based on Walter Lord’s 1955 account is much more accurate than James Cameron’s epic.
Australian classic The Castle is turning 25 this month - here’s why its iconic quotes and Aussie battler story have become beloved and revered.
Archive 81 on Netflix uses “found footage”, a film technique beloved by the horror genre, in ways we haven’t seen before.
Women in films are often damsels in distress. Psychology shows such representations can impact how people feel about violence and gender roles in real life.
The ‘Die Hard’ actor is suffering from a communications disorder that affects 2 million Americans.
No longer restricted to the best international feature film, foreign-language movies are nominated in several categories this year.
The end is often envisioned the same way: abruptly, hopelessly and completely. How does this constrain the range of possible solutions?
Kontributor teratas
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Lecturer in Communications and Media, University of Notre Dame Australia
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Associate Professor, Film Studies, University of Sydney
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Lecturer, Department of Film and Television Studies, University of Warwick
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Senior Lecturer in Screen Studies, University of South Australia
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Professor of Film Studies, Bangor University
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Professor of Screen and Design, Deakin University
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Visiting Research Fellow University of Chester, University of Chester
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Researcher and Sessional Tutor in Screen and Cultural Studies; Secretary for the Melbourne Cinematheque, The University of Melbourne
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Professor & Dean, School of Media and Communication, RMIT University
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Senior Lecturer in Film, University of Roehampton
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Professor of Film and Television, Goldsmiths, University of London
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Executive Director, Compton School
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Professor of Film and Screen Studies, University of Portsmouth
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Senior Lecturer in Film, UNSW Sydney
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Lecturer in 20th and 21st Century Literature, University of Exeter
