The latest movie to take on this classic story sentimentalizes history in the name of inspiring religious devotion.
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As the Nigerian film industry advances its methods, is it in danger of alienating its poorer audiences?
From Kinnnock to Corbyn, the documentaries haven’t always been the most successful
Plus, how a new wave of South African romcoms is reimagining Johannesburg. Listen to episode 17 of The Conversation Weekly podcast.
Some critics are complaining that sex scenes have vanished from cinema. But they’re still very much present – in all their awkward, perverse glory.
The costumes in period dramas are opulent and highly memorable, shaping how we think of the royal family beyond the screen.
It’s not the sole answer to fixing structural inequalities, but as a profession committed to addressing harassment and abuse on set, it’s clearly needed
Released in 2001, it was the first film to really give Pixar a run for its money.
Hailed as an Australian hero, Rosemary Kariuki works to connect refugee and migrant women through their strengths and joys — rather than treating them like ‘problems’ to be fixed.
Soo Yong’s career, particularly when contrasted with Anna May Wong’s, shows how Hollywood and Chinese popular culture aimed to depict Chinese women amid shifting Chinese-American relationships.
Relying on familiar stereotypes and images can make us miss this critical opportunity to reshape the ways in which Asian women are viewed as individuals and artists.
A neuroscientist and a clinician watched two new films about dementia. They recognised what they saw.
The experience of going to the cinema is unique, wrote Woolf.
A new film ignores some of the most striking details of the man who sold a fake Vermeer to the Nazis.
From festivals to awards, generating buzz can increase the gross earnings of a film and even increase investment in a country’s film industry.
It’s a malleable mythos that has been adapted by kings and queens as well as artists and filmmakers.
For decades, rape-revenge films focused on fathers avenging crimes against their daughters. But filmmakers are telling new stories.
Early into the pandemic there were cries and questions as to whether the cinema industry would survive. The answer, it seems, was here all along. A robust and diverse local industry.
If you still haven’t seen this movie about a jazz pianist whose soul goes on a great adventure, it’s about time you did.
In depicting brutal massacres and mission life, this film gets a lot right. And the model for its central protagonist may well be a young man called Narlim, exiled from his country in the late 1930s.
Kontributor teratas
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Lecturer in Communications and Media, University of Notre Dame Australia
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Associate Professor, Film Studies, University of Sydney
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Lecturer, Department of Film and Television Studies, University of Warwick
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Professor of Film Studies, Bangor University
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Senior Lecturer in Screen Studies, University of South Australia
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Professor of Screen and Design, Deakin University
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Visiting Research Fellow University of Chester, University of Chester
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Researcher and Sessional Tutor in Screen and Cultural Studies; Secretary for the Melbourne Cinematheque, The University of Melbourne
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Professor & Dean, School of Media and Communication, RMIT University
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Senior Lecturer in Film, University of Roehampton
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Professor of Film and Television, Goldsmiths, University of London
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Executive Director, Compton School
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Professor of Film and Screen Studies, University of Portsmouth
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Senior Lecturer in Film, UNSW Sydney
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Lecturer in 20th and 21st Century Literature, University of Exeter
