50 films, around a third brilliant, and only two duds. We would never find this outside of an international film festival.
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It’s Keaton’s razor-edged, comedic darkness that allows the film to gather emotional depth.
The seemingly chaotic nature of the Fast Saga’s development is central to the Furious-verse’s appeal.
Renfield attempts to remodel the vampire movie to 21st century specifications.
What is the ongoing appeal of a film dubbed ‘the Citizen Kane of bad films’ 20 years on?
Bell is an internationally renowned artist who works across painting, installation, video and performance, and a new documentary brings him to cinemas.
The documentary Kickin’ Down the Door offers something far more nuanced than the well-thumbed tale of these national music icons.
For aficionados of Christmas cinema, the good and the bad, Christmas Ransom is light hearted and silly enough to be bearable.
Based on the 2019 book, She Said follows journalists Jodi Kantor and Megan Twohey as they report on Harvey Weinstein.
This year’s program balanced big films like My Policeman, TÁR and Banshees of Inisherin with smaller, edgier films. Here’s the best of the best.
Undercover cop narratives are usually full of anxiety, but The Stranger goes a step further, focusing on the trauma and darkness of the job.
Ningla-A’Na has now been restored and is being re-released in Australian cinemas.
Our expert shares the five films from the Melbourne International Film Festival that have stuck with him.
The plot is rudimentary, but the tone is totally compelling, the characters are likable, and the surf photography first rate.
Seven years in the making, this disturbing Australian film looks at the death of 100,000 citizens in during the second world war.
Now on Stan, the film comes in versions subtitled by Julia Davis, and Celia Pacquola with Ronny Chieng. The result is two very different types of humour.
Elvis is full of Luhrmann’s signature self-indulgence, inflated budget and artistic grandiosity – I loved it.
Our expert saw around 40 films at this year’s Sydney Film Festival, and presents their top picks.
Branagh’s adaptations are more concerned with Poirot himself than any of the suspects – the murder in this film only happens 70 minutes in.
Bollywood is demonstrating a renewed purpose of creating new national myths, such as 83’s retelling of India’s first win at the cricket world cup.
Kontributor teratas
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Lecturer in Communications and Media, University of Notre Dame Australia
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Professor, Queensland University of Technology
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Senior Lecturer in Screen Studies, University of South Australia
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Postdoctoral Research Fellow, The University of Queensland
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Research Fellow, Robotics & AI, Queensland University of Technology
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PhD Candidate and Sessional Tutor, Screen and Cultural Studies, The University of Melbourne
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Honorary Professor, Edith Cowan University
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Associate Professor and Cinema and Screen Studies Discipline Leader, Swinburne University of Technology
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Lecturer in Media, University of Adelaide
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Professor, Indigenous Studies and Director of The Centre for Global Indigenous Futures, Macquarie University
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Research Fellow, La Trobe University
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Professor of Political Science, University of Connecticut
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Lecturer in Screen Media, University of the Sunshine Coast
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Adjunct associate, Flinders University
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Lecturer (casual) at Sydney College of the Arts; Adjunct Lecturer Auro University, University of Sydney
