Growing up in Yorkshire gave Hepworth and Moore outsider viewpoints on the art world.
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Margel Hinder was responsible for some of Australia’s most significant public sculptures in the 1960s and 70s. A major exhibition now examines the totality of her career.
It might have many critics but the statue tribute to Mary Wollstonecraft succeeds in its abstract commemoration of the feminist. Public sculptures could learn from it
Kontributor teratas
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Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne
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Professor in History of Art, University of York
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Associate Dean for Global Engagement and Programme Leader of BA History of Art & Museum Studies, Liverpool John Moores University
