The first recorded performance of the theatre company that Shakespeare co-founded was at a playhouse south of the Thames, but was lost to historians for centuries. Now we know where it lies.
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David Williamson and Jack Hibberd tower over Australian drama. Williamson’s The Department and Hibberd’s A Stretch of the Imagination both showcase the strange yet compelling detachment of these playwrights’ visions.
The returned musical “King Kong” embodies the germinating seeds of two potential and mutually exclusive South Africas.
Laser Beak Man and its superheroic puppetry will delight young and old at the Brisbane Festival.
Big Heart at Theatreworks questions Australia’s generosity through the tale of a woman who adopts a child from five continents.
Theatre is undergoing a virtual revolution.
Mia: Daughters of Fortune is a powerful new play that puts this issue under the spotlight.
To the recently deceased playwright, the nation’s greatest tragedy was its move from an agricultural society to an urban, industrial one.
Drags kings have recently been declining in popularity, partly due to the evolving debate around gender and identity. But now a new and more inclusive drag culture is taking the stage.
This year Melbourne’s La Mama Theatre celebrates its 50th year of operation. In an interview for the company’s 20th anniversary, the founding director Betty Burstall said: The basic thing is the money…
From Cate Blanchett to David Williamson, some of Australia’s most well known theatre artists have performed at La Mama, which celebrates its 50th birthday this year.
The Rover begins with 17th-century playwright Aphra Behn inviting those who don’t like the idea of a female writer to fuck off, setting the tone for a hilarious and utterly relevant romp through Naples.
New survey from the Australia Council shows pretty much all Australians engage with the arts, and 8-in-10 do so online. However more people are ambivalent about public arts funding, and more people think the arts are too expensive.
The Sound of Falling stars brings 31 male singers who died young, including Sid Vicious, Jim Morrison and Jeff Buckley, back to life, and forces us to question our role in their fates.
‘Well behaved women seldom make history,’ wrote historian Laurel Thatcher Ulrich, and Revolt. She said. Revolt again. at Melbourne’s Malthouse Theatre takes the idea to its apocalyptic extremes.
Musical theatre nominees at the 2017 Helpmann Awards are dominated by overseas productions. Our own productions need way more support to compete on the world stage.
Queer life thrived in 1940s Sydney despite policing and prohibition, as a new production of the musical Only Heaven Knows demonstrates. But it was not to last.
The Book of Exodus is a provocative work that sees children retelling the biblical tale.
Mr Burns is a dazzling meditation on the meaning of theatre through The Simpsons.
Nakkiah Lui’s Black is the New White takes 17th-century comedy of manners and uses it to probe race and class to great effect.
Kontributor teratas
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Professor of Creative Arts, Griffith University
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Researcher, The Australian Centre, The University of Melbourne
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Adjunct Associate Professor, Auckland University of Technology
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Lecturer in English, Australian National University
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Associate Professor of English Literature, University of Sydney
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Senior Lecturer, English and Theatre Studies, The University of Melbourne
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Professor of Drama and Theatre Studies, Royal Holloway University of London
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Canada Research Chair in Socially Engaged Theatre; Director, Centre for Socially Engaged Theatre (C-SET), University of Regina
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Senior Lecturer in Theatre and Performance Studies, UNSW Sydney
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Lecturer in Theatre, The University of Melbourne
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Research assistant, Empire, Migration and Belonging, University of Oxford
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Sessional lecturer and researcher, The University of Melbourne
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Associate Professor of Theatre Arts, Curtin University
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Hon Research Fellow in Poetry and Theatre studies, The University of Western Australia
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Associate professor, Macquarie University
