On Aug. 11, 1973, a block party in the Bronx spawned a genre that would go on to influence nearly all aspects of US culture – and the music, fashion and art of countries around the world.
Iain Grandage’s fourth Perth Festival continued his focus on First Nations performance, together with an exhilarating dose of Black Futurism as well as demanding post-classical music.
Whereas the first ‘Black Panther’ film celebrated an array of African cultures, the follow-up seeks to also highlight the rich legacy of Mesoamerican cultures destroyed by colonial conquest.
In an interview, scholar Alyssa Collins explains how her time spent plumbing the sci fi writer’s papers left her stunned by the breadth of her interests and the depth of her scientific knowledge.
Even though Afrofuturist works are set in fictional worlds, they provide a blueprint for social, political and economic systems free from exploitation and oppression.
Afrofuturist’s work is rooted in the desire to transform the present for Black people. To do so, they imagine a reality in which Black people are the agents of their own story, countering histories that discount and dismiss them.
Western critics hailed the 1952 book as a great work of African fantasy. In fact it’s better understood as a pioneering work of African science fiction.
Both the COVID-19 pandemic and urgent debates around public heritage and monuments shape how Nuit Blanche Toronto is seeking to engage artists and viewers in remapping cities.
Something really magical is happening at the intersection between jazz and hip-hop at the moment. Many of the artists involved will be playing at Africa’s foremost jazz festival.
The Congolese album ‘Nangadeef’ remains largely unexplored, despite its genius. As a rich repository of Afrofuturistic data, it deserves to be delved into by lovers of African art.