Eamon Flack’s production captures well – and with a lovely, light touch – the sense of fleeting memories that are, nevertheless, still available to us.
Academic rigor, journalistic flair
Articles on Belvoir
Displaying all articles
Eamon Flack gives Bulgakov’s classic epic novel a riotous interpretation.
Maeve Marsden’s play lays bare what happens when love and family are politicised.
After the roaring success of Counting and Cracking, S. Shakthidharan and Eamon Flack have produced another play that will captivate audiences.
Based on Anne Deveson’s 1991 memoir about her son’s experience with schizophrenia, this play can be achingly sad. But it also offers hope.
Belvoir’s outrageously fun new pantomime is a celebration of modern Australia.
Loosely based on the ABC journalist’s own experiences, Stop Girl opens up a story about PTSD after war.
In Kodie Bedford’s first play, Bernadette returns to her family in Geraldton – where everything is as mad as ever.
Top contributors
-
Professor of History, Macquarie University
-
Rodney Tiffen is a Friend of The Conversation.
Emeritus Professor, Department of Government and International Relations, University of Sydney
-
Professor of English, Writing and Society Research Centre, Western Sydney University
-
Lecturer in History, University of Sydney
-
Associate Professor of English Literature, University of Sydney
-
Lecturer in English, University of Newcastle
-
Tutor in Creative Arts, Macquarie University
-
Senior Lecturer, Discipline of English and Writing, University of Sydney
