The genius of Bluey isn’t just in its characters and stories of family life. The hit show’s soundtrack sets the mood, plays with the narrative and draws on classical scores.
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Articles on Classical music
Displaying 21 - 40 of 110 articles
A match made in heaven or a doubtful duet?
In his work, many heard freedom as espoused by contemporary Enlightenment philosophers, like Immanuel Kant.
Assessing around 500 of the composer’s correspondence, we are able to see how a rise in sadness and other negative emotions resulted in increased creative productivity.
From ‘Comfort ye’ to the Hallelujah chorus, the music of the Messiah is a much-loved Christmas tradition. Yet it was originally written as an Easter offering.
A composer and performer talks about the impact of the pandemic on classical music performances and his experience composing in isolation.
The classical music scene in Canada is shaped by histories and hierarchies that reinforce racism and cultural appropriation. Black classical musicians are calling for systemic change.
The Munich-based record label ECM specialises in jazz and Western classical music. The artistry found in its catalogue allows a degree of abstraction that can be energising while enduring a pandemic.
Every once in a while, the story that Beethoven was Black circulates in popular culture, but there’s no evidence to support this claim.
Is music the best medium to respond to traumatic events like the COVID-19 pandemic? A recent history of such pieces suggests maybe not.
Policy makers and arts sectors together need to reimagine how we might organize contracts, leverage networks and change supports to create more long-term opportunities for arts workers in Canada.
Concert halls may slowly be able to reopen – but difficulties will remain.
Four choirs in 12 concerts cover 500 years of musical terrain, connecting the psalms to the contemporary world for the Adelaide Festival.
Classical music station RNZ Concert may have been saved by an outcry from music lovers – but as a composer, it’s clear to me that its management still doesn’t realise what a national treasure it is.
In ‘Joker’ and ‘Marriage Story,’ sometimes the absence of sound can pack as much of a punch as dramatic music.
Audiences know what it’s like to listen to Beethoven’s iconic works - but to play his creations as a concert pianist is to grab the music with both hands and join the composer in a powerful battle.
Beethoven’s compositions combine power, rhythm and deeply felt meaning - and they did not come easily. The composer was ahead of his time, and he knew it, even then.
This year Ludwig van Beethoven turns 250. Though some of his creations have been overexposed, they are indisputably brilliant. And there are still others waiting to be discovered by music lovers.
Princess movies and opera alike reveal the limited number of models available to women. “Le Dernier Sorcier”, composed by Pauline Viardot in 1869, shows that a much richer world is possible.
Soothing tunes for anxious times.
Top contributors
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Deputy Head of School, Senior Lecturer in Piano and Musicology, School of Music, Australian National University
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Principal Fellow and Professor of Music, The University of Melbourne
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Cellist and musicologist, University of Sydney
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Associate Professor of Musicology and Director of Academic Program, Music, Western Sydney University
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Professor of Music, City, University of London
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Senior Lecturer in Musicology, University of Sydney
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Musicology, Stellenbosch University
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Associate Professor and Head of Composition, The University of Melbourne
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Research Fellow, Creativity and Wellbeing Hallmark Research Initiative, The University of Melbourne
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Associate professor, University of Sydney
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Senior Lecturer Composition, Australian National University
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Professor, Musicology, University of Alberta
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Senior Lecturer and Programme Leader for Performance, University of the West of Scotland
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Associate professor, Swinburne University of Technology
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Associate professor, Music Industry, RMIT University
