An unusual and magnificent exhibition at the National Gallery of Victoria allows us to see Bonnard like never before.
Installation view of Troy Emery’s work Mountain climber 2022 on display as part of the Melbourne Now exhibition at The Ian Potter Centre: NGV Australia, Melbourne from 24 March – 20 August 2023.
Image: Tom Ross
Conceived as a snapshot of visual culture in Melbourne and Victoria, this exhibition is challenging, visually exciting and memorable.
Installation view of T he Widows of Culloden collection, autumn winter 2006 - 07 in Alexander McQueen: Mind, Mythos, Muse on display at NGV International from 11 December 2022 - 16 April 2023. Headpieces by Michael Schmidt
Photo: Sean Fennessy
Alexander McQueen: Mind, Mythos, Muse at the National Gallery of Victoria is an important fashion exhibition that makes us consider how all the visual arts are inter-related.
Studying in London, the young artist examined the human figure, animals in the zoo and the rich cross-section of theatre life and of life on the streets.
The Picasso Century at the National Gallery of Victoria is a remarkable exhibition that may change the way you will view Picasso.
Installation view of Bark Ladies: Eleven Artists from Yirrkala from 17 December 2021 to 25 April 2022 at NGV.
International, Melbourne.
Photo: Tom Ross
Bark painting in Yirrkala is a tradition of antiquity – but it is constantly reinvented, as this stunning exhibition of contemporary women’s work attests.
With more than 100 artists from more than 30 countries, this exhibition features alternative realms drawn from a Google quantum computer, a Jeff Koons ‘selfie magnet’ and moments of Zen beauty.
Keith Haring | Jean-Michel Basquiat: Crossing Lines may well be the riskiest exhibition the National Gallery of Victoria has staged in its more than 150-year history.
Rosslynd Piggott’s artworks explore an uncanny, dream-like state. A new exhibition of her objects, installations and paintings is a memorable reflection of a major Australian artist.
Dorrit Black, The Bridge, 1930.
Oil on canvas on board,
60.0 x 81.0 cm.
Bequest of the artist, 1951, Art Gallery of South Australia, Adelaide.
Dorrit Black, Grace Cossington Smith and Grace Crowley were some of many talented modernist women artists. But only with the advent of second wave feminism in the 1970s was their work properly acknowledged.
Detail from William Barak, Figures in possum skin cloaks, 1898, pencil, wash, charcoal solution, gouache and earth pigments on paper, 57.0 x 88.8 cm (image and sheet)
National Gallery of Victoria, Melbourne Purchased, 1962
Paintings that turn into frocks; a model dressed in nine outfits like a Russian doll. A new exhibition by Dutch designers Viktor & Rolf is truly fashion as performance art.
Degas and Manet’s stormy relationship is expressed in a portrait Degas painted of Manet and his wife, which has been slashed, presumably by Manet himself.
Detail of Edgar Degas, Édouard Manet and Mme. Manet (1868-69) Kitakyushu Municipal Museum of Art, via Wikimedia Commons
Edgar Degas’ relationship with Impressionism was to be a stormy one, but his encounter with Edouard Manet in 1862 was a turning-point in his career. Degas went on to paint a portrait of Manet and his wife - later slashed in mysterious circumstances.
Degas beautifully captured women in private moments.
Detail of Edgar Degas, Woman seated on the edge of the bath sponging her neck c. 1880–95, Musée D’Orsay, Paris
Edgar Degas was fascinated with women’s bodies. Whether dancing, ironing or bathing, he captured these intimate moments with a voyeur’s detached scrutiny.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne