Detail of Judy Watson, black ground (1989) courtesy of the National Gallery of Victoria.
© Judy Watson/Licensed by VISCOPY, Australia
Judy Watson pours ochre and pigment onto unstretched canvases laid on the ground. The puddling and drying created an image of a simple termite mound with a profound connection to country.
Virtual reality model of the west wall of the guild chapel, Stratford on Avon.
© University of York
Due to recent restoration, the paintings are clearer than they have ever been over the last 600 years.
Jackson Pollock, Blue poles, 1952.
© The Pollock-Krasner Foundation
This quintessential modern art movement couldn't have gained precedence without the work of critics – and the Cold War.
Mike Parr’s performance work ‘Jackson Pollock the female’ is part homage and part sabotage.
National Gallery of Australia
Jackson Pollock's Blue Poles is one of Australia's most famous cultural acquisitions. When Mike Parr lay supine before it, streaked with his own blood, he offered a new way of looking at the act of painting.
Paul Stopforth (b. 1946) ‘Elegy’ (1980). Graphite and wax on paper on board: 149 x 240 cm.
Courtesy Durban Art Gallery
Works like "Elegy" are ciphers for what it means to be human and vulnerable within a social and political regime in which not all bodies are considered equal
The X-rays of the Australian Synchrotron reveal a remarkably clear picture of the woman’s face.
It took cutting edge technology and a collaboration between the Australian Synchrotron and the CSIRO to reveal the mysterious hidden lady in Degas's famous painting.
Elizabeth I of England, the Armada portrait, 1590.
The value of the Armada painting, soon to go on show in Greenwich, lies in its masterful storytelling.
The Man in the Black Cravat, now by Lucian Freud.
How expert opinion can out-trump the artist's own word.
Georgiana Houghton, The Eye of God (c.1862), watercolour. Victorian Spiritualists’ Union, Melbourne, Australia / Courtauld Gallery, London.
Many of their extraordinary artworks are now on show in a new exhibition.
Louise Hearman, Barry, oil paint on masonite 69.5 x 100 cm.
Photo: © AGNSW, Nick Kreisler
This year's Archibald Prize winner is a painting with great affection for its subject. Louise Hearman's Barry was a surprise choice – but it deserves to find an ultimate home in the National Portrait Gallery.
Detail of Mirdidingkingathi Juwarnda Sally Gabori, Dibirdibi Country – Topway 2016.
Queensland Art Gallery | Gallery of Modern Art Collection Image courtesy Alcaston Gallery © The Estate of the Artist and Viscopy Australia
Mirdidingkingathi Juwarnda Sally Gabori began painting in her 80s, and over ten years created an extraordinary body of work. Her paintings are more like music and dance – depicting the stories of the Kaiadilt people for the first time.
Detail of Frida Kahlo, Self-portrait with monkeys 1943.
The Jacques and Natasha Gelman Collection of Mexican Art © 2016 Banco de Mexico Diego Rivera Frida Kahlo Museums Trust, Mexico DF
The Mexican artist Frida Kahlo kept monkeys as pets and painted them often. They symbolised the children she couldn't have and were worshipped as gods of fertility in Aztec times.
Big Blue Lavender Bay, one of the three paintings at the centre of trial.
AAP Image/Genevieve Gannon
The conviction of two men in relation to the sale of forged Brett Whiteley paintings indicates that Australia needs to get its act together when it comes to authenticating artworks.
Why is Whistler’s mother one of the most persistently famous images in the world?
James McNeill Whistler, Arrangement in grey and black no. 1 (Portrait of the artist's mother) 1871. Image courtesy of the NGV.
Whistler's Mother, which arrives in Melbourne on March 25, is one of the most famous portraits in the world. But James Whistler never wanted the sitter's identity known.
© Victoria and Albert Museum, London
Botticelli has become a constantly evolving myth, but is best-known as a sensuous painter of alluring women.
Long Island gallerist Glafira Rosales (left) sold fake paintings to Knoedler director Ann Freedman (right), who then turned them around for millions. Was Freedman aware that they were fakes?
What, exactly, was going on at the Knoedler Gallery in the years leading up to a forgery indictment?
Guy Grey-Smith’s Rottnest connects strongly to the land.
Detail from Guy Grey-Smith, Rottnest, 1954-57, oil on canvas, 61.2x76.5 cm (h,w), The University of Western Australia Art Collection, Tom Collins Bequest Fund, 1957, © The University of Western Australia
Guy Grey-Smith's painting showcases the insistent rhythms of the indigenous vegetation and the rolling, flowing movements that take our eye meandering across the landscape and back towards the horizon.
Han van Meegeren’s Vermeer forgery, Christ and the Adulteress.
The best forgers don't simply create convincing fakes; they go after the preconceived beliefs of the very people who judge a painting's value and authenticity.
John James Audubon’s American Flamingo (1838).
A review of some of the top arts and culture stories from the past year.
Tom Roberts is an iconic Australian artist. Who does that icon represent?
Opening of the first parliament of the Commonwealth of Australia, 9 May 1901, Tom Roberts, 1903. Courtesy of the NGA.
Is the National Gallery of Australia's exhibition of Tom Roberts' really 'for all Australians'? A recent national survey finds a racial divide in Australian art appreciation.