Bioblocks, created for the Swansea Bay tidal lagoon.
Research is not just about producing papers.
German artist Edgar Mueller poses with his 3D pavement painting in West London.
People in visually creative professions have their own way of seeing the world.
Yayoi Kusama: Infinity Mirrors | Hirshhorn Museum.
By speaking their truths in societies that would rather not know, queer painters, female rappers and other outsider artists are pushing the bounds of gender and sexuality in the developing world.
Detail of Jim Dine,
The mighty robe I, 1985.
Colour lithograph with relief printing from polymer plates,
61.3 x 50.7 cm (image and plate), 89.2 x 63.4 cm (sheet)
National Gallery of Victoria, Melbourne Gift of the artist, 2016, 2016.806, © Jim Din
Jim Dine and other pop artists like Andy Warhol took everyday things and transformed them into magical objects. In his prints a robe could become a self-portrait, a president, or a hero.
Andrew Wyeth stands by a creek on his Chadd’s Ford, Pennsylvania property in 1964.
AP Photo/Bill Ingraham
His rise was just as swift as his fall. To mark the painter's 100th birthday, an art historian explores the forces – cultural, political and personal – that created a polarizing legacy.
Working with an embedded artist for a year helped one physicist realise that art and science share a lot of common ground
I’m already famous, thanks…
Philip Toscano/PA Wire/PA Images
Three techniques Andy Warhol used can also help you to take and post pictures that people will find engaging.
Chris Levine’s iy_project at Hobart’s Dark Mofo.
Dark Mofo/Lusy Productions, 2017 Image Courtesy Dark Mofo, Hobart, Tasmania, Australia
Hobart's Dark Mofo deals with plenty of challenging subjects but seeing it with a child can highlight the wonder of intuitively experiencing art.
Untitled (all), Hans-Jörg Georgi, 2010–15, Courtesy of The Museum of Everything.
Moorilla Gallery, Courtesy of Atelier Goldstein and The Museum of Everything (installation by Lutz Pillong)
MONA's latest exhibition draws on the work of people - patients, housewives, hermits - who were compelled to create, raising age-old questions about how we define art.
A scene in the Bronx curated from Google Street View.
Nick Lehr/The Conversation via Google
In the 10 years since Google Street View launched, the platform has provided ample fodder for artists, who have used it to comment on surveillance, poverty and gentrification.
Holograms could be used to create complex 3D brain models.
From military mapping to brain imaging, holograms are no longer relegated to your bank card.
Luxury exists in most human societies throughout the world but in different forms.
Luxury is a global phenomenon present in all societies in various forms.
Hopper's brand of Americanism was a counterpoint to American optimism. Fifty years after his death, his legacy lives on.
Contemporary sculpture – but why bother?
Look back into prehistory and it's all about trusting strangers.
Kader Attia’s The Culture of Fear.
Western media continues to sell Muslims as perpetrators of savagery, deprivation and torture. But a new exhibit by French-Algerian artist Kader Attia challenges us to see beyond these depictions.
Courtesy the artist, Hollybush Gardens and National Museums Liverpool: International Slavery Museum. Photograph by Stuart Whipps
A sense of renewal and purpose in the prize sparked by a lifting of the age limit and looking beyond London.
A baby Hawaiian bobtail squid, measuring just 1.5cm across, is pictured using photomacrography.
Mark R Smith/Macroscopic Solutions
A better understanding of science among ordinary people validates the vast amounts of public funds spent on scientific research.
A detail from Vincent Van Gogh’s, Olive grove with two olive pickers, December 1889 Saint-Rémy, oil on canvas 73.3 x 92.2 cm.
Kröller-Müller Museum, Otterlo © Collection Kröller-Müller Museum, Otterlo, the Netherlands
The pickers and sinewy olives in this painting all strain upward towards the hope of spiritual salvation. But six months after he completed it, Vincent Van Gogh walked out into a wheat field and shot himself.
The robot Berenson in 2015.
Robots are strange creatures, and not only because they might steal our jobs. We humans actually have good reason to be a little worried about these machines.
Duncan Grant © Tate
In what ways do our sexual pleasures and fantasies inform the way we see the world?