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Artículos sobre Visual art

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Joy Hester at Fitzroy Gardens, 1942. Albert Tucker/State Library of Victoria

Joy Hester – a body of work, remembered at last

Joy Hester’s entire body of work can be understood as an exploration of human relationships, connections, in all their complexity. A major retrospective now acknowledges her contribution.
Olafur Eliasson, Denmark, b.1967 Riverbed 2014 (detail) Site specific installation. Pictured: The Louisiana Museum of Modern Art, Humlebæk, DenmarkCourtesy of the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York / Los AngelesPhotograph: Iwan Baan.

In our time of climate crisis, the exhibition Water is a subtly crafted plea

Water can give and water can take. Without it, however, we are nothing. A new exhibition presents a nuanced and gentle provocation as we grapple with drought and climate change.
Kaldor Public Art Project 3: Gilbert & George. The Singing Sculpture, Art Gallery of New South Wales, Sydney, 16 – 21 August 1973 Copyright: Gilbert & George Courtesy Art Gallery of New South Wales

The heady sense of being at the heart of public art: 50 years of the Kaldor Foundation

Fifty years after Christo and Jeanne-Claude wrapped the NSW coast at Little Bay, the Art Gallery of NSW celebrates the long term consequences of John Kaldor’s creative philanthropy.
Shaun Gladwell, Approach to Mundi Mundi (production image), 2007, 2-channel digital video, colour, silent, 3:50 minutes (Dawn), 4:40 minutes (Day). John Kaldor Family Collection, image courtesy the artist and Anna Schwartz Gallery, Melbourne © the artist

Shaun Gladwell: Pacific Undertow is a playful exercise in artistic rule-breaking

Shaun Gladwell constantly experiments with technique – from classical oil painting to virtual reality – but he remains the master of playful motion.
Pat Larter (England; Australia, b.1936, d.1996) Pat’s anger 1992. acrylic and mixed media on board, 91 x 60.5 cm; 92.5 x 62 cm. Art Gallery of New South Wales, Gift of Frank Watters 2018. Donated through the Australian Government's Cultural Gifts Program © Estate of Pat Larter. Photo: AGNSW 32.2018

Hidden women of history: Pat Larter, pioneering ‘femail’ artist who gave men the Playboy treatment

Best known as the subject of her husband Richard’s work, Pat Larter was herself a major artist.
Ben Quilty, Australia, born 1973. Margaret Olley 2011. Oil on linen / 170.0 x 150.0 cm. Collection of the artist. Courtesy the artist. Photograph: Mim Stirling

‘Are you one of us or one of them?’ Margaret Olley, Ben Quilty and a portrait of a generous friendship

Margaret Olley was known not only for her paintings, but her generosity. An exhibition of her work is currently on in Brisbane, alongside a survey of the work of Ben Quilty, her mentee and friend.
One of the artworks made as part of a project where Australians are sending artistic representations of the bird to politicians to protest the Adani mine, which threatens the bird’s habitat. Robyn Rich

Protest art: rallying cry or elegy for the black-throated finch?

Australian artists are protesting the Adani mine’s potential impact on the black-throated finch. The project is gaining traction online, but in this case, emotive art might not be enough.
Mella Jaarsma, The landscaper 2013, costume: wood, paint, iron and leather, single-channel video: 3:40 minutes, colour, sound. National Gallery of Australia, Canberra. Purchased 2018. Photo by Mie Cornoedus

Indonesian art is fresh, energetic and lively. Why do we not see more of it?

The exhibition Contemporary Worlds: Indonesia has many wonderful works. But it is an exception - despite our close proximity, there are few opportunities for Australians to engage with Indonesian art.

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