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Articles on Film

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Death in Paradise has proven a rating’s hit for the ABC – why would that be? ABC

Australia’s screen industry workers should watch more TV

Television is a voracious medium – and yet I would argue many of those commissioning screen content in Australia have little appetite for experimentation. Australia’s digital free-to-air service, in metropolitan…
‘PINEWOOD’: soon to be emblazoned on a British hillside.

Pinewood expansion: now is the time for British film to be brave

If someone asked you to think of a British film, what would come to mind? For some years now, the most likely answer would have been any of the select but powerful band of little films that made good on…
Norman McLaren working on Begone Dull Care, 1949. National Film Board of Canada

Norman McLaren: a late, great animator now drawing applause

Animation is all around us – from Pixar to manga to animated gifs. As with any creative field, it has its unsung heroes – the innovators who have shaped and defined the art form. So it was a great delight…

Mega-sound makes cinema the new rock n roll

It has been almost a truism of television, in the discussions of professionals and the analyses of academics, that television broadcasting is a sound medium with added pictures, while cinema is a visual…
Director Richard Linklater goes for the complexity of lived time in Boyhood. Sydney Film Festival

Linklater puts the hood in Boyhood at the Sydney Film Festival

Boyhood is the front-runner in this year’s Sydney Film Festival Competition, to be decided on Sunday. In it, American writer and director Richard Linklater looks at a young boy’s life from the beginning…
Melodrama makes the universe morally legible. Sydney Film Festval

Does Locke have the drive to win the Sydney Film Festival?

The phone connection illuminates the dashboard screen. “Ivan Locke,” says the man behind the wheel. “Ivan. Where are you?” says a woman’s voice. “I’m in the car,” he replies. This direct way of answering…
It’s impossible to overstate the way this kind of viewing makes Altman’s ouevre newly accessible. 3 Women, Sydney Film Festival

Framing Robert Altman at the Sydney Film Festival

For me the most exciting way to negotiate the ample program of the Sydney Film Festival (SFF) is to focus on its retrospectives, and this year the lens is on the American film directors Robert Altman and…
A rich and complex mise-en-scène activates the viewers’ entire sensorium. American Hustle, courtesy Roadshow Entertainment

Explainer: mise-en-scène

Out of all the intoxicating phrases that emerge from the study of film, my personal favourite is mise-en-scène, translated from French to mean: what is in the frame. The phrase conjures up the splendour…
Khalid Abdalla and Ahmed Hassan in The Square. Netflix/Noujaim Films

Cultural responses to the Arab spring are helping keep it alive

In 2011, as one popular uprising after another swept across Tunisia, Egypt, Libya, Yemen, Bahrain, Syria, and beyond, the Arab spring (more commonly referred to in Arabic as al-thawrat al-arabiyya, “the…
An ambitious, powerful film – bodes well for this year’s festival. 20,000 Days on Earth, Sydney Film Festival 2014

Nick Cave’s 20,000 Days on Earth opens the Sydney Film Festival

The Sydney Film Festival (SFF) opened last night, kicking off not only one of the landmark cultural events of the city, but a program that draws films from almost 50 countries throughout the world. As…
We were promised hoverboards by 2015 – ain’t gonna happen. dangerismycat

We love reliving the 1980s, but only as farce

History is generally made of things that happen. This truth often prejudices us to ignore the importance of the things that don’t. In this spirit, I would like to bring attention to the significance of…
Depardieu seems to embody and embrace the grotesqueness of the scandal. EPA/Boris Pejovic

Film incites France’s fury by condemning DSK where the courts did not

The extent to which the Dominique Strauss Kahn scandal is still a raw wound in France has been made very clear after Abel Ferrara’s Welcome to New York was screened in Cannes – out of the main film festival…

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