The widespread conflict that accompanied Australian life for 140 years was arguably our most important war. We need a museum telling this story, funded on a par with The Australian War Memorial.
Bangarra dancer Beau Dean Riley Smith in Bennelong.
Daniel Boud/Icon Films
Early into the pandemic there were cries and questions as to whether the cinema industry would survive. The answer, it seems, was here all along. A robust and diverse local industry.
Walt Disney Animation Studios, Walt Disney Productions
New research shows COVID-19 threw existing inequalities into sharp relief: well-funded institutions were able to move their projects online, while smaller galleries struggled.
Prime Minister Scott Morrison signals his allegiance to the Cronulla Sharks with his neckwear.
AAP Image/Mick Tsikas
Ties do many things. Though they express identity, they can just as readily act as a ‘uniform’ for their wearers. And they give power to some, while taking it from others.
The excavation of the 7th century Saxon ship at Sutton Hoo was remarkable – but we can’t ignore the harmful rhetoric about the ‘Anglo-Saxon’ race in a new Netflix film dramatising the find.
Though often seen as placid, turtles have been depicted as powerful, fighting animals since ancient times. One of the most famous battleships, the Korean Geobukseon, was called the ‘Turtle Ship’.
The Garter, 1724,
Jean François de Troy.
The Metropolitan Museum, New York
The busk was a long piece of wood, metal or whalebone, stitched into fabric and inscribed with intimate words of love. Garters, too, often carried messages and were charged with erotic connotations.
Finding a Valentine via a dating app is a lot more likely than running into them on the street or getting trapped in a lift with them — even if it lacks a Hollywood moment.
Jacob Junior Nayinggul (left) and Simon Baker in High Ground (2020).
Maxo, Bunya Productions, Savage Films
In depicting brutal massacres and mission life, this film gets a lot right. And the model for its central protagonist may well be a young man called Narlim, exiled from his country in the late 1930s.
A Chinese community dinner in Sydney, some time in the 1930s.
City of Sydney Archives
From Cantonese sausage on the goldfields, to mid-century sweet and sour pork, to today’s delicate xiao long bao, Chinese food in Australia has come a long way.
Eryn Jean Norvill in Sydney Theatre Company’s The Picture of Dorian Gray.
Dan Boud/STC
Theatre and audiences are slowly beginning to share the same airspace again. We are freshly conscious of breath, but it has always been intimately linked with the dramatic arts.
An artist and self-proclaimed witch, Rosaleen Norton defied cultural norms in Menzies-era Australia. Reviled by the media, she was a powerfully unconventional woman.
A new documentary follows a group of young Australian climate activists, loosely weaving their fresh protests with historical events. It’s powerful, if a little too polite.
Dancer Ida Rubenstein performs in the original production of Boléro, 1928.
Wikimedia Commons
It’s repetitive — playing the same drum rhythm like a heartbeat — with two simple melodies entwined. But this masterful composition shifts just when it needs to.
New Zealand artist Lorde (performing here in Germany) is one of several signatories to an open letter to industry leaders about stopping sexual abuse and discrimination.
GettyImages
Musical and vocational training must move beyond making students ready for work — they must also be empowered to deal with an industry overdue for reform.
‘Watching the tape or watching the wheel - what is the difference morally?’, illustration by Will Crawford c.1912.
Puck Magazine/Library of Congress