A new film ignores some of the most striking details of the man who sold a fake Vermeer to the Nazis.
Then national theatre critic of The Australian, Katharine Brisbane and her husband, drama academic, the late Dr Philip Parsons, two years after they founded Currency Press in 1971, with their children Nick, now chair of Currency Press, and Harriet, this year replacing Katharine as Director of Currency House.
Currency House
Ex theatre critic for The Australian and founder of Currency Press and Currency House, Katharine Brisbane, now 89, has issued a call to arms for the arts to be taken seriously.
Spanish artist Santiago Sierra’s request for the blood of First Nations’ people in a now cancelled artwork prompted widespread disgust. We need Black curators who work from community standpoints.
Atelier de Nicolas de Largilliere, portrait of Voltaire at 24.
Wikimedia Commons
Hyperbole surrounds the Impressionists, who are perennial blockbuster fodder. In truth, they were not a united group of radicals and their subject matter is far darker than commonly acknowledged.
Israel Antiquities Authority conservator Tanya Bitler shows newly discovered Dead Sea Scroll fragments at the Dead Sea Scrolls conservation lab in Jerusalem.
AP Photo/Sebastian Scheiner
What’s fascinating about the latest Dead Sea Scrolls discovery is how it reflects the stories of those who wrote the ancient texts, those who kept them safe and the archaeologists who found them.
Ian Wilkes leads a Galup evening tour.
Daniel Grant
Artists Ian Wilkes and Poppy van Oorde-Grainger invite audiences to walk where the first contact between Noongar and white settlers at Lake Monger took place.
Anything but red.. The colour blue was popular in ads for menstrual products, including this Modess ad from the Australian Women’s Weekly in 1959.
Newspapers Collection, State Library Victoria.
Two female filmmakers have been nominated for Best Director in the Oscars’ 93rd year. Both their films are about the dashing of dreams, with female protagonists and flashes of cinematic innovation.
Actor Simon Baker at a press conference in Canberra on Tuesday calling for a local content quota on streaming services.
Lukas Coch/AAP
Amanda Lotz, Queensland University of Technology and Anna Potter, University of the Sunshine Coast
Pursuing local content requirements on streaming services is a high risk, low reward campaign. The reality is global streamers can’t save Australian television.
The Cronulla Sutherland Sharks cheerleaders performing in March, 2015.
AAP Image/Dean Lewins
With travel bans and conservative limits on theatre capacities, this year’s Ten Days is a smaller affair than usual, placing community arts at its heart.
Millions of people are reading young adult fantasy novels like Twilight or A Court of Thorns and Roses. But the way sexual consent is depicted in these can be confusing or even harmful.
If humans only translate what it is familiar to them, something essential is lost. The art of translation requires the permission to transcend borders and make mistakes.
Sleeping through a live performance would usually indicate it wasn’t engaging. But as a film about Max Richter’s Sleep concerts explains, this is exactly the response the composer was hoping for.
Produced by Perth’s wunderkinder ensemble The Last Great Hunt, Whistleblower is about the thrill of the risk when you throw the audience into the spotlight.
The Duke and Duchess of Sussex pose with their newborn son in May 2019.
Domic Lipinski/PA
Concerns raised by the Sussexes about racism within the royal family point to a larger issue. The Windsors are entangled in a history of colonialism and racism.