Women’s solo sex can be taboo even today. But in 17th century England it featured in many texts from poetry to medical books, suggesting knowledge or even acceptance of female self-pleasure.
These images of Cherine Fahd’s grandfather’s funeral were tucked away in a brown paper envelope for decades. As a society, we too often keep grief hidden from view.
New Zealand is the last major landmass to be settled. One of the sites of earliest occupation is under threat from development, despite its cultural significance for Māori.
Gurindji singers Thomas Monkey Yikapayi, Ronnie Wavehill Wirrpa and Topsy Dodd Ngarnjal sing ‘Wanji-wanji’.
Brenda L Croft
Wanji-wanji’s lyrics have remained unchanged over thousands of kilometres and the past 150 years.
Youth dance troupe Stompin performed their thought-provoking work Nowhere as part of this year’s Ten Days on the Island.
Jacob Collings, Lusy Productions
Despite the diversity of art and performance on display at the tenth Ten Days on the Island festival, key themes emerge: life, death, and Tasmania’s colonial history.
Map of New France, by Samuel de Champlain (1612), including French depictions of First Nations peoples.
Wikimedia Commons
Hofesh Shechter’s latest contemporary dance work is not the rousing narrative its title might suggest. Its dancers inhabit a global catastrophe and then a brutal new world order.
In a search of social science literature on pornography, none of the definitions reviewed mentioned consent.
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A new play tells the story of George Johnston and Charmian Clift’s time on the Greek island of Hydra, which ultimately led to the novel My Brother Jack - but not without sacrifices.
Charlie Pickering may be a witty and intelligent young man, but he’s too reassuring a presence compared to surveyors of the edge of chaos.
ABC
Today’s screen satire frequently preaches to the converted. Fortunately, there are some notable exceptions that can skewer even the most progressive of viewers.
The National Library of Australia recently launched the Australian Web Archive - a historical record of Australian web content.
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The National Library of Australia’s web archive preserves online Australian content dating back to 1996. The next step is to archive platforms such as Facebook and Twitter - but it won’t be easy.
Fanny Finch’s 1856 voting card.
Castlemaine Art Museum
Decades before most white Australian women were granted the right to vote, a businesswoman and single mother of four took to the polls and signed a ballot paper.
Iranian theatre company Verbatim Theatre Group performed Manus as part of this year’s Adelaide Festival.
Mohammad Sadeq Zarjouyan
Dorothy’s slippers, worn by Judy Garland in The Wizard of Oz, have long been celebrated as a ‘queer object’. With one pair recently restored at a price of $300,000, do they deserve such adulation?
Crucifixion was a form of state terror and victims were likely to be stripped.
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Interviews with survivors of sexual abuse by clergy show that recognising Jesus as an abuse victim might help the Catholic church to change its culture and response to the abuse crisis.
Ayaha Tsunaki and the ensemble in Johan Inger’s Carmen at this year’s Adelaide Festival.
Ian Whalen
Tacitus’ Annals is a powerful and darkly humorous examination of imperial Rome. Though his work was little read in the Roman world, it has influenced great thinkers such as Hobbes and Montesquieu.
Artist Janet Laurence is ferocious and uncompromising in her work.
Jacquie Manning
In A Man of Good Hope, an energetic cast of over 20 performers take the audience on a journey through the life of Somali refugee Asad Abdullahi.
Yolngu boys from north-eastern Arnhem Land perform the Bunggul traditional dance during the Garma Festival in 2018. The Yolngu have flourished for up to 50,000 years.
Mick Tsikas/AAP
Jonathan Barrett, Te Herenga Waka — Victoria University of Wellington
Establishing artists could benefit if New Zealand introduces a proposed capital gains tax that excludes any profit made on the sale of collectables and artworks.
The Australian arts industry is fraught with extreme financial pressures, a highly casualised workforce and endemic competition.
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In our competitive and underfunded arts sector, power relationships are ever present. To address power imbalances, major structural change is needed.
A scene from La Reprise, director Milo Rau’s first production following the publication of his controversial ‘Ghent Manifesto’ on theatre.
Michiel Devijver