Mary Jane Cain (centre) with granddaughters Miley Barker and Molly Chatfield and her great niece Josephine.
The sun dancin' : people and place Coonabarabran (Aboriginal Studies Press, 1994)
In the late 1880s, Gomeroi woman Mary Jane Cain began petitioning Britain for land rights. A matriarch and Queen to her people, she recovered 600 acres that became home to displaced Aboriginal families.
John Longmuir as The Captain, Michael Honeyman as Wozzeck and Richard Anderson as The Doctor in Opera Australia’s production of Wozzeck.
Keith Saunders
In a time and place that offered few career opportunities for women, the role of priestess at Delphi was enormously influential. She was consulted on everything from warfare to love to public policy.
Linen Market, Dominica, oil painting by Agostino Brunias, circa 1780.
Wikimedia Commons
Jean Rhys’s prequel to Jane Eyre explores the monstrous figure of Rochester’s mad wife Bertha, prompting readers to think about the racialised legacies of colonialism.
November 2016 (left to right) Seraine Namundja, Donna Nadjamerrek, Julie Narndal and Cheryl Nadjalaburnburn preparing a new course in Bininj Kunwok, an Indigenous language in the Northern Territory.
Provided by Cathy Bow
In 60 years’ time, only 13 of Australia’s Indigenous languages will be left, unless something is done to encourage children to keep speaking their language.
Cherish Violet Blood as Lila in Deer Woman, playing at this year’s Sydney Festival.
Prudence Upton
Deer Woman, written, directed, designed, composed, stage managed and performed by First Nations artists from Canada, is anchored by a solo performance of fierce skill, focus and precision.
Angurugu mission school children in the 1940s on Groote Eylandt, NT. Missions helped both erode and preserve Indigenous languages.
Groote Eylandt Linguistics
Dancenorth’s Dust explores a world on the brink of turning back to dust. Its themes are familiar in contemporary dance, but the show is replete with powerful images.
Li Kui (李逵), one of the characters in The Water Margin, battles tigers after they killed his mother. Utagawa Kuniyoshi, between between 1845 and 1850.
Wikimedia
In The Water Margin, first put to paper in the 14th century, local injustice is the rule, and defence against cruel local authority is a matter of vengeance, stratagem, and violence
Soprano Jane Sheldon in La Passion de Simone. Kaija Saariaho’s work had its Australian premiere at the 2019 Sydney Festival, performed by the Sydney Chamber Opera.
Victor Frankowski
The Australian premiere of La Passion de Simone uses multiple voices to tell a story about philosopher Simone Weil. But the work lacks the emotional drama of its subject’s life.
The connection between the gardens of Versailles, and your backyard garden, are closer than you might think.
Shutterstock
Juvenal wrote 16 satires, divided into five books, each with their own target from decadent aristocrats to Egyptian cannibals.
The family of Hop Lin Jong (who is pictured on the far left) at the wedding of her daughter, Ruby (third from right) in 1924. Ruby was murdered by her husband the following year.
Hop Lin Jong’s arrival in Western Australia in 1901 was remarkable only because she was Chinese. Her life might have passed in obscurity if not for the murder of her daughter in 1925.
Part of the 2.5 metre dolls’ house created by Petronella Oortman in 17th century Amsterdam.
Rijksmuseum, Amsterdam
A 2.5 metre dolls’ house reveals the hopes and dreams of Petronella Oortman, a 17th-century Dutch woman.
One important reason for the Spartans’ obsession with fighting was the constant possibility they would need these skills in war and also at home, in Sparta itself.
Shutterstock
From about age seven, Spartan children learned to fight and practise obeying orders. They also staged pretend battles. Boys and girls were trained separately.
A plaque on a house in St Petersburg that says: ‘Here the writer Lydia Korneievna Chukovskaya wrote Sophia Petrovna, a story about the Great Terror 1936-1938’.
Wikimedia Commons
Persecuted by Stalin, writers Lydia Chukovskaya and Anna Akhmatova endured threats, cold and starvation. And in an epic feat, Lydia memorised the poems of her friend that were too dangerous to commit to paper.
Théroigne de Mericourt, engraving after a painting by Auguste Raffet in 1817.
Wikimedia Commons
One of the ‘first white women’ to travel in the Northern Territory, Elsie Masson’s attitudes to the Aboriginal people she met expressed the contradictions of racial thought at this time.
The beach is a common setting for Australian novels, which often capture its darker side.
boxer_bob/flickr
While tourism campaigns often portray the beach as an idyllic, isolated haven, many of our beach stories depict it as a darker, more complex place. Here are ten worth reading.