Children need time and space to enjoy the books they choose to read in schools.
There's a worry some students don’t get enough opportunity to enjoy silent reading in schools. Here's some advice on how to change that.
Reading books with your child means children learn to connect reading with feelings of warmth and sharing.
Early experiences sharing and developing positive connections, language and communication set the stage for home reading to start children on the path to literacy.
Books should be easily available in accessible formats, like Braille.
South Africa's new Copyright Amendment Bill could help the country take an important step in tackling its own “book famine”.
Despite its rhetoric of innovation and experimentation, the indie-style imprint Strange Light is brought to us by a company that is already dominating the country’s literary space.
Amine Rock Hoovr /Unsplash
Don't be fooled by the 'indie' rhetoric surrounding the new imprint of Penguin Random House Canada, a multinational corporation. Only time will tell if it will do much for the diversification of Can-Lit.
We shouldn't assume that discussion of bodily changes necessarily means progression towards a more equal society.
Reading and books are more important than ever for contemporary society. Here an image of The Rose Main Reading Room at the Stephen A. Schwarzman Building (also known as New York Public Library Main Branch) – an elegant study hall in the heart of Manhattan.
Patrick Robert Doyle /Unsplash
Today's libraries build communities and provide space for learning new technologies but it is critical that they continue to be about books and reading too.
Melissa Lucashenko, winner of the 2019 Miles Franklin Award.
Courtesy of the Miles Franklin/ Belinda Rolland
This prize confirms Melissa Lucashenko's status as one of Australia’s top writers of contemporary fiction.
Many of the classic books of Canadian literature thrived because of women editors, publishers and agents. Some are profiled here: Anna Porter in the 1970s, Bella Pomer in 2015 and Claire Pratt in 1950.
Diane Pullan; Facebook; special collections
Irene Clarke, Claire Pratt, Anna Porter and Bella Pomer were among the women who changed the face of Canadian publishing. Their achievements deserve our attention.
If you can’t get to Venice, Italy, allow a book translated from Italian to transport you there.
Reading fiction can increase your empathy and reading fiction translated from another language can improve your cross-cultural understanding. Why not let a book transport you?
Anna McGahan as Charmian Clift in Sue Smith’s play Hydra. Long overshadowed by her husband George Johnston, recent years have seen a resurgence of interest in Clift’s life and work.
Jeff Busby/Queensland Theatre
Fifty years after her death, Australian writer Charmian Clift is experiencing a renaissance. With her forward-thinking columns, Clift's voice rose above the crowd during post-war Australia.
When it comes to reading, choosing the books your child reads, forcing them to read at certain times and asking them questions about their books are all big no nos.
Walter Withers, ‘The Drover’, 1912, oil on canvas. A recent book reinterprets Henry Lawson’s The Drover’s Wife in 99 ways, offering new perspectives on the classic short story.
Ryan O'Neill's book reimagines a classic Australian short story. He retells The Drover's Wife 99 times in various forms, including a poem, an Amazon review, and even as a Cosmo quiz.
The ‘gothic’ genre was once thought to be inapplicable to Australia. But there is a strong gothic tradition in Australian literature and film, seen in examples like Picnic at Hanging Rock.
Gothic texts are not all bloodsucking vampires and howling werewolves. An Australian Gothic tradition took root alongside colonisation, influencing writers from Marcus Clarke to Alexis Wright.
In the novel Coach Fitz, the narrator is seemingly unaware of his humorous voice. This device is one way that the novel subverts expectations.
At the centre of the novel Coach Fitz is Tom, an anti-hero whose unintentionally humorous voice drives the narrative. Tom is an awkward everyman, a naïve Don Quixote, a digressive Tristam Shandy.
View from a highway rest stop east of Ravensthorpe, Western Australia. In Kim Scott’s Taboo, the landscape becomes a narrator.
The omniscient narrator is alive and well in fiction. Kim Scott's most recent novel uses a collective narrative voice that encompasses the landscape as well as the human.
Cynthia Banham with Kevin Rudd in 2008. Banham’s memoir explores both the trauma she experienced during a plane crash in 2007 and her family’s history.
In her fragmentary family memoir, Cynthia Banham interweaves narratives of war and migration with her own traumatic plane crash - ultimately reclaiming her identity in the process.
Les Murray at the National Gallery in Canberra in 2002. He was often seen as an unofficial Australian poet laureate.
Les Murray's signature style was a potent mix of ordinary language, specialist vocabulary, and eccentric syntax. His poetry made us see things anew.
Pieter-Louis Myburgh’s “Gangster State” is one of South Africa’s top sellers.
Political books touches a certain chord in South African society that makes them bestsellers.
The gargoyles that sit on Notre Dame today were installed as a nod to the cathedral’s past.
Looking nostalgically to the past, a young architect sought to revive the building as a bulwark to the uncertainty of the Industrial Revolution.
A legal expert looks at the issue of robot rights and what makes us human.