Bangarra’s Dark Emu is a response to Bruce Pascoe’s book of the same name. But it doesn’t embrace the full potential of its source’s game-changing impact.
Gavin Webber and Kate Harman in The Mathematics of Longing.
Art Work Agency
All of the big names are present in this show – from Vincent van Gogh, Pablo Picasso and Frida Kahlo to Roy Lichtenstein and Cindy Sherman – and represented by some of their best-known work.
Gianni Colombo, Spazio Elastico / Elastic Space, 1966-7.
Image courtesy Museum of Old and New Art (Mona).
Upgrade, the latest film from Saw creator Leigh Whannell, is one of the best Australian films of the 21st century.
Tony Albert Girramay/Yidinji/Kuku Yalanji peoples. Australia Qld/NSW b.1981.
Mid Century Modern (series) 2016
Pigment prints | 24 works: 100 x 100cm (each)
Collection: The artist. Courtesy: Sullivan+Strumpf, Sydney
Tony Albert reassembles items of ‘Aboriginalia’, featuring kitsch caricatures of Indigenous people, with wit, playfulness and serious intent.
A still from Daniel Crooks’ High Street (After Ruscha) 2017. Single channel video, 2:1, 4K, stereo, 17 minutes 52 seconds.
Courtesy the artist and Anna Schwartz Gallery.
As a young man, Wladyslaw Dutkiewicz joined the Resistance, helping Jews to escape Poland. After settling in Australia as a refugee, he became a pivotal artist, as a new show of his work attests.
Participants in A Tasmanian Requiem, a musical performance addressing Tasmania’s Black War.
Alastair Bett
A Tasmanian Requiem brings together Western and Aboriginal voices to confront the violence of the state’s Black War. It shows what a historical reckoning, and reconciliation, might look and sound like.
Installation view of Kelly Doley’s Things Learnt About Feminism #1–95 2014: a Day-Glo wall of wisdoms, homilies and histories.
Collection: Cruthers Collection of Women’s Art, University of Western Australia Photograph: Robert Frith - Acorn Studios
Yayoi Kusama, arguably Japan’s most famous living artist, has been making art for 65 years. A new exhibition traces her output: from her dazzling mirror and polka-dot infused installations to paintings and sculptures.
Zora Kreuzer, Arcade (2017)
Liebler Facade, Fremantle.
James Whineray
The artists in this inaugural event have created works within, on and around the buildings of an old port town.
Detail from Gerhard Richter’s Reader (804), 1994 Oil on canvas.
72 x 102cm.
Collection: San Francisco Museum of Modern Art, USA Purchase through the gifts of Mimi and Peter Haas and Helen and Charles Schwab, and the Accessions Committee Fund: Barbara and Gerson Bakar, Collectors Forum, Evelyn D. Haas, Elaine McKeon, Byron R. Meye
Gerhard Richter - one of the giants of post-war German art - is elusive, enigmatic and seemingly impossible to pin down. The first retrospective exhibition of his work in Australia is a brilliant and challenging event.
Detail from NigeI Milsom (Australia, 1975–), Judo House Part 6 (The White Bird), 2014–15 oil on linen, 230 x 194 cm.
Reproduced courtesy of the artist and yuill|crowley, Sydney. Photo: Art Gallery of New South Wales
The Ecstasy of St Teresa is the point of departure for a new exhibition examining ecstasy in all its guises, from the sexual to the spiritual to the banal.
A new exhibition features more than 50 works by Fred Williams, centred on the You Yangs peaks, west of Melbourne. They illuminate a breakthrough moment in Australian art.
Van Gogh’s immersion in the natural world, for his art and for its therapeutic effects, saw him observe in minute detail the changing of the seasons.
This photo of Pearl Mackenzie, taken by Charles Mountford in 1937, is part of the UNESCO-listed Mountford-Sheard Collection.
Image courtesy of the State Library of South Australia and the Adnyamathanha Traditional Lands Associatio
This year has got off to an awful start. Thank God for the Adelaide Festival, a blaze of hope, skill and fun. Here are our critics’ highlights of a beautifully crafted program.
Detail of Brook Andrew, Sexy and dangerous 1996.
courtesy National Gallery of Victoria
A 20th-century image of an anonymous ‘Aboriginal Chief’ becomes an investigation of power, colonialism and queer sexuality in the hands of Brook Andrew.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne