Policy makers and arts sectors together need to reimagine how we might organize contracts, leverage networks and change supports to create more long-term opportunities for arts workers in Canada.
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Articles on artists
Displaying 1 - 20 of 32 articles
Washington, DC Mayor Muriel Bowser ordered 'BLACK LIVES MATTER' to be painted on a street near the White House. The act would have been considered vandalism had it not been done by city workers.
During COVID-19, boarded-up storefronts host various new types of inspirational, informational and decorative murals that should be read critically as representing political agendas for the future.
JobKeeper is designed for people with steady jobs. The arts don't work that way.
An art historian uncovers the truth about Marthe Bonnard, for decades labelled as a jealous recluse with a neurotic need to bathe.
Images of wildfires are powerful, but can make climate catastrophe seem like something spectacular and distant. So some artists are focusing on the plants and bugs in our immediate surroundings.
'The Life of Washington' was painted in the 1930s by an artist who sought to upend a rosy narrative of US history. Now some are saying its images 'traumatize' viewers – and ought to be taken down.
If it is wrong to censure art or refuse to display it because of its content, how can it be right to shun it because of the behaviour of the artist?
On the 500th anniversary Leonardo's death and in appreciation of his rich and varied contributions, how can our educational systems inspire the same imaginative qualities in students today?
When artificial intelligence systems try to behave like humans and make mistakes, they show their limits – but also their startling advances.
Many Renaissance-era masterworks depicted rape and sexual assault as erotic. Beginning in the 1970s, artists worked to redefine rape as a crime of aggression and act of female subjugation.
The book took eight years from conception to publication. In the earliest dummy, the monsters that millions have grown to love actually started out as horses.
Because a host of artists and programmers can leave their stamp on a final product, disagreements and claims of theft have ensued.
Male monks were not the sole producers of books throughout the Middle Ages.
From solitary confinement, Moliere Dimanche started drawing on anything he could find. The result was a series of fantastical, allegorical images that depict abuse, racism and profound isolation.
Anish Kapoor made “Cloud Gate”, a giant bean-shaped mirror in Chicago. Visitors play with the light in the city and its surroundings, where our future lays.
The loss of creative spaces to development is pricing Sydney artists out of the city. But they could be encouraged back with new cultural policies.
In his short play from 1830, 'Mozart and Salieri,'
Russian poet Alexander Pushkin proposed that genius and evil are incompatible. Here's why this argument is worth revisiting in light of #MeToo.
Pop culture, personal tragedy and heroic persistence all played a role.
A judge in New York City just awarded graffiti artists US$6.7 million after a developer whitewashed their murals. On the surface, it seems like a huge victory for street artists. But could it backfire?
Top contributors
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Professor of Philosophy, La Trobe University
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Emeritus Professor of Cultural Research, Institute for Culture and Society, Western Sydney University
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PhD Student, University of Strathclyde
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Professor of Creative Writing, University of Dundee
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Professor of Cultural Studies, Director, Graduate Program in Gender Studies and Feminist Research, McMaster University
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Professor in English, Lancaster University
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Economist, UNSW
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NHMRC Early Career Fellow (Psychology), Macquarie University
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Distinguished Professor of Economics, Macquarie University
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Assistant Teaching Professor of Music, Pennsylvania State University
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Global Studies Associate Fellow, University of Sussex
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Assistant Professor of Law, Saint Louis University
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Professeur de physique, Université Grenoble Alpes
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Assistant Professor, University of La Verne
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Engaged Research Fellow, Institute for Culture and Society, Western Sydney University
