The technology’s focus on the framing of the artistic task amounts to the fetishization of the creative moment – and devalues the journey that waters the seed of an idea to its fruition.
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Articles on Creative work
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Now that AI systems can generate realistic images and convincing prose, are creative and knowledge workers endangered or poised for productivity gains? A panel of experts says it’s not so clear-cut.
The ‘Eureka!’ moment is a myth – an altogether naïve and fanciful account of innovation.
E-changers are the latest group to move from the big cities to escape high living costs and congestion. But because they remain very productive remote workers some employers are embracing the trend.
A project to protect producers from food fraud by verifying and promoting the provenance of the region’s beef exports to China turned out to be a source of creative work in the region as well.
Longer doesn’t always mean better. But it’s not the end of the world, either.
A new project documents who uses urban industrial lands slated for redevelopment. It reveals a vibrant but largely hidden sector at the interface between creative industries and small manufacturing.
Artificial intelligence can now produce original paintings, novels and music.
The digital pin-ups’ business models actually inhibit serendipity and, indeed, innovation by absorbing entire markets into the sealed-off space of their platforms.
It’s questionable whether current copyright laws actually support artists or more local content.
Top contributors
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Postdoctoral Research Fellow, Sustainable Urban Precincts Project, RMIT University
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Professor of Geography, University of Wollongong
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Professor of Cultural Economy, University of South Australia
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Director, Centre for Transformative Innovation, Swinburne University of Technology
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Senior Lecturer in Intellectual Property Law, University of Sussex
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Associate Professor, School of Design, University of Technology Sydney
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Professor of Community Information, University of Michigan
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Professor of Urban Informatics, Queensland University of Technology
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Research Assistant, Australian Centre for Culture, Environment, Society and Space (ACCESS), University of Wollongong
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Professor of Experimental Psychology, University of Iowa
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Professor of Autonomy in Art, Design and Technology, St Joost Art Academy, Avans University of Applied Sciences
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Professor and Director of Urban Planning & Design, Monash University
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Lecturer in Communications and Media, Monash University
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Creative Partnership Designer and PhD Candidate, Queensland University of Technology
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Lecturer in English and Creative Writing, Manchester Metropolitan University
