It is important to prosecute militants who destroy antiquities. But 'everyday' development - from dams flooding towns to the impact of mining on Indigenous rock art – does vastly more damage to heritage than war.
The Maralinga atomic tests were devastating to life and land in Central Australia. Black Mist Burnt Country brings together dozens of artistic responses in a powerful, but somewhat incoherent memorial.
Sydney's Garden Palace, which burned to the ground in 1882, was a monument to empire's glory. Indigenous artist Jonathan Jones is now working on an epic exhibition that will explore this historical epoch from an Aboriginal perspective.
Mirdidingkingathi Juwarnda Sally Gabori began painting in her 80s, and over ten years created an extraordinary body of work. Her paintings are more like music and dance – depicting the stories of the Kaiadilt people for the first time.
Succeeding generations need to know where they are placed in the unfolding grand narrative of Aboriginal art. Those of us who are not Aboriginal need to understand the complex relationship between settler Australians and the people of the land.
Last week Liberal Democrats Senator David Leyonhjelm was widely reported as suggesting that people other than Aboriginal Australians may have occupied the Australian continent in the past. At a doorstop…
Hetti Perkins has curated an exhibition of bark paintings by John Mawurndjul and Gulumbu Yunupingu that is currently on display at Tarrawarra Museum of Art. Who are these artists – and how have their lives shaped their artworks?
It hovers uneasily between being a fine-art exhibition showing the diversity and sheer visual and sociocultural potency of contemporary Australian visual art practice, and an older-style ethnographic survey.
Chief Investigator and Co-Leader of Education and Engagement Program ARC Centre of Excellence for Australian Biodiversity and Heritage, and Director, Palaeontology, Geobiology and Earth Archives Research Centre, UNSW Australia