Everyone has a favourite band, or a favourite composer, or a favourite song. So if we all have our own opinions on music, is it ever possible to judge it objectively?
Set in 1990s suburban Australia, The Exact Dimensions of Hell is a theatrical exploration that unflinchingly examines themes of teenage girls, desire and power.
Archie Moore is the first Australian to win the Golden Lion at the Venice Biennale, given to the best national pavilion at the world’s oldest and most renowned art biennale.
The Sydney Theatre Company’s captivating revival of the 1975 play, co-produced with Dublin’s Gate Theatre, manages to balance the loathing and humour of Thomas Bernhard’s writing.
When scientists observed planets revolved around the Sun, they posited we were now like other planets. And if other planets were like Earth, then they most likely also had inhabitants.
Many artists are expected to organise their own ticket sales and event promotion. This is coupled with low pay from venues and having to juggle music with other full-time jobs.
I’ve been leafing through Foy & Gibson catalogues from the first four decades of the 20th century to try to understand what attracted Australian customers to wearing wool.
New documentary about Nickelodeon, Quiet on Set, highlights how we don’t keep child stars safe. In the age of social media this is an even bigger problem.
Angus Cerini’s Into the Shimmering World at the Sydney Theatre Company is an unforgiving and, frankly, bleak meditation on what it is to be good; what it is to live a good life.