Two girls in white (1904) is a composite study of three of Ramsay’s sisters, who cared for him before his death from tuberculosis.
Art Gallery of New South Wales
Hugh Ramsay's Two girls in white, was painted just two years before he died at the age of 28 in 1906. It is the central work in the National Gallery of Australia's survey exhibition.
The Chinese-Australian artist Guan Wei is on display in a new exhibition at the MCA. The centre piece of the exhibition is the 18x6m mural Feng Shui (2004).
Guan Wei, Feng Shui, 2004, acrylic on composite board. Museum of Contemporary Art, donated through the Australian Government’s Cultural Gifts Program by Cromwell Diversified Property Trust, 2017. Image courtesy and © the artist
Guan Wei's art, now on display at Sydney's Museum of Contemporary Art, crosses both Chinese and Australian cultures, working together in harmony, best described as an aspect of feng shui.
Sharon Millerchip, Ayesha Madon, James Majoos, Chika Ikogwe, and Kimberley Hodgson in Fangirls at the Brisbane Festival.
Photo: Stephen Henry
There are no cheap laughs in this musical celebration of fan fixation - but there is love in all its forms.
Ben Quilty, Australia, born 1973. Margaret Olley 2011. Oil on linen / 170.0 x 150.0 cm.
Collection of the artist. Courtesy the artist. Photograph: Mim Stirling
Margaret Olley was known not only for her paintings, but her generosity. An exhibition of her work is currently on in Brisbane, alongside a survey of the work of Ben Quilty, her mentee and friend.
Leigh Melrose as Brett Whiteley in Opera Australia’s 2019 production of Whiteley at the Sydney Opera House. The opera focuses on the artist’s addictions and his relationship with his wife.
A new opera focuses more on the personal life of artist Brett Whiteley than his artistic creations. As the opera reveals, a life like Whiteley’s does not offer a clear moral message.
Mella Jaarsma, The landscaper 2013, costume: wood, paint, iron and leather, single-channel video: 3:40 minutes, colour, sound.
National Gallery of Australia, Canberra. Purchased 2018. Photo by Mie Cornoedus
The exhibition Contemporary Worlds: Indonesia has many wonderful works. But it is an exception - despite our close proximity, there are few opportunities for Australians to engage with Indonesian art.
Zahra Newman in Wake in Fright. A new adaptation of Kenneth Cook’s novel retells the story of a man’s descent into violent masculinity with a female voice, accompanied by visual and aural spectacle.
In a new adaptation of the classic Australian novel, the story of masculinity and despair in the outback is told through a female voice.
Celia Pacquola as Jenny Milford in The Torrents. A new production of the forgotten Australian play shows its themes are still relevant today.
A new production revisits a play dropped from the Australian theatrical canon long ago. Set in a regional newsroom, the play's themes are strikingly relevant today.
Mona Confessional 2016 – 19. The art unveiled for this year’s Dark Mofo is a disturbing journey into our future.
Mona's new subterranean extension adds a compelling dimension to the art of Dark Mofo 2019. Upstairs, a series of interactive sculptures contemplates our automated future.
Steven Oliver’s Bigger and Blacker, which premiered at the Adelaide Cabaret Festival, calls for more engagement between Indigenous and non-Indigenous Australians.
Steven Oliver's new cabaret show is an exhilarating journey through hard-hitting stories about success, love, depression and racism.
Dallas Dellaforce, Queer Central, Imperial Hotel, Erskineville, 2018. ‘Queerdom’ presents an archive of queer and trans life in Sydney.
Queerdom, an exhibition of photography and poetry, presents a history of queer and trans performance in Sydney that challenges recent narratives about queer life in Australia.
Installation view of Cai Guo-Qiang’s Murmuration (Landscape) 2019 (detail) Realised in Dehua, Fujian.
province and Melbourne, commissioned by the NGV.
Proposed acquisition supported by Ying Zhang in association with the Asian Australian Foundation, 2019
NGV Foundation Annual Dinner and 2019 NGV Annual Appeal, on display at NGV International.
© Cai Guo- Qiang. Photo © Tobias Titz
A new exhibition pairs China's famed Terracotta Warriors with contemporary works of inspiring ethereality. The contrasts here are many: life and death, harmony and chaos, energy and control, art and politics.
Sheridan Harbridge as Tessa in Prima Facie, a new play about a lawyer who becomes a victim of the legal system after she is sexually assaulted.
Written by a former lawyer, a new play presents a forceful critique of the Australian legal system's treatment of sexual assault.
Juan de Dios Mateos as Cavalier Belfiore and Ruth Iniesta as Corinna in Opera Australia’s 2019 production of Il Viaggio a Reims at Arts Centre Melbourne.
Gioachino Rossini's opera was originally meant as a satire of royalist France. A new production updates the work for a modern audience, setting the drama in a museum where the paintings come to life.
One of the most powerful images at this year’s Venice Biennale is Christoph Büchel’s.
Barca Nostra, 2018-2019,
Shipwreck 18th of April 2015.
La Biennale di Venezia
Often called the 'Olympic Games of art', the Venice Biennale's national pavilions are an outlier in a globalised world. This year's strongest works explore global issues like refugees and climate change.
Igor Sas in Water. The play deals with the issues of ‘illegal’ immigration and environmental crisis in three narratives.
Daniel J Grant
In the vein of Arthur Miller, a new play sees family drama and political issues clash in an enclosed space.
Natalie Christie Peluso in The Children’s Bach. The opera is based on Helen Garner’s novella of the same name.
It is rare to have a new production of an Australian opera - a vivid new performance of The Children's Bach was refreshing to see.
Scott Sheridan and Natasha Herbert in Cloudstreet, a new production of the stage adaptation of Tim Winton’s literary epic.
A new production of Cloudstreet - the play adapted from Tim Winton's literary epic - is visually arresting. But despite a diverse cast, Indigenous characters remain spectral and peripheral.
Detail from Archibald Prize 2019 finalist Keith Burt,
‘Benjamin Law: happy sad’ oil on canvas, 59.5 x 59.5 cm, © the artist.
Photo: AGNSW, Jenni Carter Sitter: Benjamin Law - author, journalist and broadcaster
Perhaps as a reflection of the current state of national affairs, this year's Archibald Prize exhibition is a politician-free zone.
Tudors to Windsors: British Royal Portraits, exhibition view.
Bendigo Art Gallery
A new exhibition illustrates the British monarchy's transition from global powerhouse to modern celebrities. But idolised images reign.