Children at the Lawrence Wilson Art Gallery, University of WA, at a 2015 exhibition of Elise Blumann.
Lawrence Wilson Art Gallery, University of WA
Degrees with a strong visual arts foundation will ensure individuals will flourish, not flounder, when faced with disruptive technologies.
Patricia Piccinini, Graham, 2016 Installation view,
A new Science Gallery Melbourne exhibition offers a set of reflections, calculations and speculations that engage with ideas about the perfect body, mathematical precision, quantum physics and a post-human world.
Sidney Nolan’s Steve Hart dressed as a girl 1947 from the Ned Kelly series 1946 – 1947 enamel paint on composition board 90.60 x 121.10 cm.
Gift of Sunday Reed 1977 National Gallery of Australia
As a bushranger in the Kelly gang, Steve Hart took to dressing as a woman and riding side-saddle to avoid detection. Sidney Nolan's painting captures Hart's adolescent cockiness, bravery, and foolhardy bluster.
Detail from Tom Polo.
‘I once thought I’d do anything for you
acrylic on canvas
152.5 x 101.5cm
© the artist Photo: AGNSW, Felicity Jenkins
The lively reconfiguring of the Archibald, Wynne and Sulman exhibitions means it is harder to work out which paintings the judges are considering as potential winners.
Detail from William Barak, Figures in possum skin cloaks, 1898, pencil, wash, charcoal solution, gouache and earth pigments on paper, 57.0 x 88.8 cm (image and sheet)
National Gallery of Victoria, Melbourne Purchased, 1962
Colony at the NGV pairs colonial art with Indigenous responses, in an effort to create dialogue about Australia's history.
Zarina Sodha, from Lakhpath Kachchh, Gujarat (western India), a folk singer.
Anjali Monteiro/KP Jayakrishnan
Passionate musicians in Western India are committed to “break down the walls” of hate built by opportunistic politics between religious communities.
Sabbia Gallery - Alison Milyika Carroll working on a pot at Ernabella Arts ceramic studio, 2017.
Photo Ernabella Arts, Courtesy of Sabbia Gallery
Clay Stories, a travelling exhibition, showcases ceramic art from Indigenous artists across the country. It is a triumphant display of specific stories and Dreamings, standing against cultural and political amnesia.
Installation view of Del Kathryn Barton: The Highway is a Disco at the Ian Potter Centre: NGV Australia, 17 November 2017 – 12 March 2018.
Photo: Tom Ross © Tom Ross
The paintings in Del Kathryn Barton's new show at NGV Australia are visually stunning and painstakingly executed. But the women depicted are often de-personalised objects or headless cauldrons of destructive passion.
Detail from Divide 2011 by Sam Jinks. Mixed media, 86 x 60 cm,
collection of the National Portrait Gallery, Canberra
The quest to create a robot that is indistinguishable from humans has become all-consuming for some scientists, engineers and technicians. The consequences could be both beneficial and catastrophic.
Chris Levine’s iy_project at Hobart’s Dark Mofo.
Dark Mofo/Lusy Productions, 2017 Image Courtesy Dark Mofo, Hobart, Tasmania, Australia
Hobart's Dark Mofo deals with plenty of challenging subjects but seeing it with a child can highlight the wonder of intuitively experiencing art.
Visitors take in Cameron Robbins’ Field Lines at Dark Mofo at the Museum of Old and New Art.
Many great artists died in 2016: Bowie, Prince, Leonard Cohen, Paul Cox, Shirley Hazzard. It was a year of creative foment and as always, intense debate about the importance of the arts to a thriving, democratic society.
Paul Nash, Battle of Germany, 1944. Imperial War Museum, London © Tate
The job of a war artist probably seems, to many, a curious calling. Here's why Paul Nash and I were both drawn to the front line.
Jackson Pollock, Blue poles, 1952.
© The Pollock-Krasner Foundation
This quintessential modern art movement couldn't have gained precedence without the work of critics – and the Cold War.
Ever wanted to perform a miracle? Now's your chance.
Bhupen Khakhar, You Can’t Please All (segment), 1981.
© Bhupen Khakhar
Indian artists such as Bhupen Khakhar may be gaining international acclaim, but more is needed to help build and maintain a strong infrastructure for artists at home.
Tableaux Vivants Devonport c. 1892-1893.
Wilson Centre for Photography
Sentimental, high-class illustrators – or a revolution in British art?
Artworks by deceased South African artist Helen Martins. The cultural and creative industries are key for social and economic development.
South Africa is increasingly beginning to focus on the potential role cultural and creative industries can play in job creation and economic growth.
Infrastruktur, Nicole Wermers, 2015 at Tramway in Glasgow.
Andrew Milligan/PA Wire
Shortlisted for the Turner in 1997, Christine Borland discusses the suffocating nature of the prize and its shortsighted attempts to branch out.
Ai Weiwei, Coloured Vases, 2006. Neolithic vases (5000-3000 BC) with industrial paint, dimensions variable.
© Ai Weiwei
What you should know about Chinese artist Ai Weiwei.
John Hamilton Mortimer, Death on a Pale Horse, 1775.
We have reached a point where apocalyptic vocabulary litters writing – but the end of the world has always populated paintings, and betrays a lot about contemporary concerns.