Articles sur Cinema

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Taraneh Alidousti and Shahab Hosseini in Iran’s The Salesman. Memento Films Distribution

Forget La La Land – best foreign language Oscar nominees show the true diversity of cinema

The best of global cinema from Germany to Iran and Vanuatu.
Director Asghar Farhadi wins the award for best screenplay at the 2016 Cannes Film Festival. Yves Herman/Reuters

How Iranian filmmakers like Asghar Farhadi defy the censors

Their critiques may be more gentle, their attacks more circumspect – but they are resonant nonetheless. And when filmmakers like Farhadi confront Trump, they're on familiar turf: They've seen his type back home.
Melbourne-based start up Choovie will launch a service offering demand based ticket pricing to filmgoers at the end of March. Lucky images/shutterstock

Coming soon to a cinema near you? Ticket prices shaped by demand

Imagine if you could pay less to see films that are less popular. Dynamic ticket pricing already happens in China – and it's about to start here in over 100 Australian cinemas.
Jayalalithaa Jayaram, who passed away in December 2016, was a film actress and populist chief minister of India’s southern Tamil Nadu state. Babu/Reuters

From South India to Trump’s election: the happy marriage of stardom and politics

Performance politics has made Donald Trump the new president of the United States. But this is far from new to south India, where the mixing of cinema and politics has a long history.
By engaging a broad base of people on a popular level, film has a much more immediate and visceral impact than formal lustration proceedings. Before the Rain (1994)

Cinema opens a dialogue about coming to terms with Balkans’ past

Cinema can be instrumental in opening up dialogue on collective culpability for the past. Manchevski’s Before the Rain and Angelopoulos’ Ulysses’ Gaze are perfect examples of this.
In virtual reality cinema, the audience chooses what to look at and when. What does this mean for traditional narrative storytelling? Virtual reality cinema in Amsterdam, The Netherlands, Sander Koning/ANP

VR cinema is here – and audiences are in the drivers’ seat

VR cinema explodes the frame, placing the spectator inside the space of the film. Audiences effectively edit it themselves, by choosing what to look at and when.
Melissa McCarthy in The Boss: ‘yet another bad choice on her part’. Gary Sanchez Productions

2016: the Year of the Mediocre Film

In a year characterised by some good films but few great ones, Paul Verhoeven’s Elle stood out as the best.
Maria Schneider and Marlon Brando in a scene from Last Tango in Paris. Les Productions Artistes Associés

Why we should no longer consider Last Tango in Paris ‘a classic’

Revelations of sexual abuse in the making of Last Tango in Paris give the film 'the air of a snuff piece'. Film scholars must reassess the work – there is no place for revering artistic achievement over human suffering.
Brad Loree in Halloween: Resurrection (2002) Dimension Films/idmb

Halloween films: the good, the bad and the truly scary

Spooky ghosts, rampaging rock gods, an escaped killer dressed as a clown: Halloween has inspired an array of creepy cinematic classics. Here's our list of those to watch - and avoid.

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