Helen Marten © Tate
Helen Marten, this year's winner, has revealed a sense of something progressive and pioneering.
The centenary of Natsume Soseki’s death this year is being marked by numerous events, not least his resurrection in robotic form.
Aboriginal elder Major Sumner sits outside Liverpool’s World Museum with a box containing the skull of an Australian indigenous person, taken from Australia between 1902 and 1904.
The question of repatriating objects is clearly more complex than returning human remains. It needs more debate, and more creative interventions to move beyond the current impasse.
© Trustees of the Natural History Museum
The way humans see and engage with the natural world is anything but natural.
The building in Braunau Am Inn, Austria, where Hitler was born.
In the past, demolishing the dictator's residences created a void exploited by Nazi sympathizers.
The egg collected in the Central Tanami Desert, Northern Territory, in October 1983.
For more than three decades an egg found in a remote Australian desert was thought to be from a rare nocturnal parrot. So what happened when scientists decided to double-check?
Westminster Abbey doesn’t want you to take any selfies.
It's easier than ever to visually record our lives thanks to the smartphone and now Snapchat glasses, but many museums and other places are fighting a losing and misguided battle against the trend.
Repatriation of cultural heritage is being debated at a time of mass migration – is heritage more important to countries that increasingly cannot be defined by their populations?
Hex code from the Blaster worm reveals the potential motivations of the worm’s creator.
How can archivists properly preserve computer programs often written specifically to destroy data?
Worth a thousand words? Or $37 million.
New York's Met just announced more job cuts to balance its books as the shifting tastes and demographics make it harder to make a museum's ends meet.
Partially demolished houses in the Vila Autodromo favela, with the Olympic Park in the background.
An architect rides through the streets of Rio amidst a cacophony of drills and jackhammers. He wonders: Is it worth it? What will the legacy of all this construction be?
A dress by designer Iris van Herpen, who, with her runway designs, challenges common fashion norms and beliefs.
Fast fashion is the second most wasteful industry on Earth. But with the creation of dresses that charge cellphones and clothes made from recycled bottles, we could be on the verge of a green fashion revolution.
Switch House, Tate Modern.
© Iwan Baan
Tate are offering a new space which should help challenge the elitism currently characterising the arts.
© The Palestinian Museum
An astonishing new museum opened near Ramallah, in the West Bank, on June 1.
This clay facial reconstruction of Kennewick Man, carefully sculpted around the morphological features of his skull, suggests how he may have looked alive nearly 9,000 years ago.
Brittney Tatchell, Smithsonian Institution
A 9,000-year-old skeleton became a high-profile and highly contested case for the Native American Graves Protection and Repatriation Act. How do we respectfully deal with ancient human remains?
Lorde performs at the Austin City Limits music festival.
Wikimedia Commons/Ralph Aversen
Unlike museums and stadiums, weekend music and arts festivals can promote culture without gouging taxpayers.
A morbid curiosity makes it hard not to be fascinated.
You don't have to be a physician or anatomist to be curious about how bodies work. Exhibits of dead human specimens have been around for quite a while – capitalizing on our fascination with death.
Koori women Treahna Hamm, Vicki Couzens and Lee Darroch wear ‘Biaganga’, traditional possum coats at the Melbourne Museum’s Aboriginal Cultural Centre in Melbourne.
Museums are cracking open the temperature-controlled, dehumidified display cases and inviting people in. Working with Aboriginal communities is reawakening cultural connections and ancient art forms.
Street photographer, c. 1930, part of the NMeM collection.
The decision looks like a reinforcement of the large imbalance in cultural spending between London and the north of England.
The British Museum owns a number of priceless pieces of Aboriginal art, and claim they’re the best possible home for Australian heritage items.
The Dja Dja Warrung bark etchings are hugely significant Aboriginal artefacts. They're back in Australia for only the second time in 160 years. We look at the complex issue of repatriation.