As Australians once found spiritual communion through allegiance to the British monarch, they find similar virtues in Anzac today. Can the republican movement connect with a large enough number of people in a similar way?
The yidaki, a musical instrument owned by the Yolngu people of North East Arnhem Land, is created by both termites and instrument makers, who tap trees to find hollow logs. A new exhibition tells its fascinating story.
Grotesques, prattlers, hysterical women ... historically, spinsters have had a raw deal in fiction. But astonishingly, the situation for older single ladies in contemporary novels has scarcely improved.
From witch-hunts to the suffragettes, belief in womanly werewolfs has flourished at times when the female gender was under threat. But in contemporary fiction, film and art, werewolf lore is evolving in surprising ways.
History is writ large in the remote areas around Woomera and the Nullarbor: from the fossils of microscopic, cell-like creatures to ancient stone tools to the deitrus of rocket tests and the painful legacy of the Maralinga atomic blasts.
Science fiction is a popular and lucrative genre – but most authors are men and relatable female characters are sadly lacking. Given this entrenched sexism, it's time for publishers to take affirmative action.
The Royal Commission into Institutional Responses to Child Sex Abuse has documented heart-rending testimonies and elicited shattering revelations. But how does a society witness itself failing at its most fundamental duty?
Images move us to act – as last week's episode of Four Corners has shown. Our government has gone to great lengths to suppress photos that humanise asylum seekers – but when they seep out, empathy is aroused.
A hundred years ago today, the Battle of the Somme began. This conflict, in which a million men died in order to move the front lines about six miles, spelled the end of courage as a cornerstone of masculine identity.
Edgar Degas’ relationship with Impressionism was to be a stormy one, but his encounter with Edouard Manet in 1862 was a turning-point in his career. Degas went on to paint a portrait of Manet and his wife - later slashed in mysterious circumstances.