Clay Stories, a travelling exhibition, showcases ceramic art from Indigenous artists across the country. It is a triumphant display of specific stories and Dreamings, standing against cultural and political amnesia.
Anthropologist Percy Leason thought he was painting the extinction of Victoria's Indigenous people in the 1930s. He was wrong, but his portraits, part of a new exhibition at the National Gallery of Victoria, are surprisingly sympathetic.
Ken Thaiday Snr, an internationally-acclaimed artist from Erub Island in the Torres Strait, has been awarded a 2017 Red Ochre Award. Thaiday's work draws on dance, the people and land of the islands to produce elaborate masks and headdresses.
Feral cats and pigs, mission grass and climate change - in western Arnhem Land, Indigenous rangers are battling many environmental threats. Through painting and performance, they are also telling 'healthy country' stories.
What are we to make of 'Aboriginalia': bric-a-brac, tiles, ornaments and artworks - once hugely popular - depicting caricatures of Indigenous people? What if they are collected now in a knowing, ironic way?
Murujuga, or the Burrup Peninsula, is home to over a million rock artworks. But as concern grows about the impact of industrial pollution on the art, the WA government continues to play down the area's heritage value.
It is important to prosecute militants who destroy antiquities. But 'everyday' development - from dams flooding towns to the impact of mining on Indigenous rock art – does vastly more damage to heritage than war.
The Maralinga atomic tests were devastating to life and land in Central Australia. Black Mist Burnt Country brings together dozens of artistic responses in a powerful, but somewhat incoherent memorial.
Sydney's Garden Palace, which burned to the ground in 1882, was a monument to empire's glory. Indigenous artist Jonathan Jones is now working on an epic exhibition that will explore this historical epoch from an Aboriginal perspective.