Rock art directly represents how our ancestors saw the world. A new approach involving the history of the landscape brings fresh meaning to Arnhem Land rock art.
Clare Wright has spent ten years researching the history of these groundbreaking petitions. Though few Australians have heard of them, she writes, we can learn much from the story of their creation.
Tim Rowse concludes that Paul Daley’s new novel, inspired by true events in Arnhem Land, is fluent and skilfully paced – but doesn’t risk complicating the critical narrative of our colonial history.
Pictures of boats and ships in rock art at the northwestern tip of Australia show the European incursions from the 1800s — but also the much earlier and lesser known sea trade with southeast Asia.
In depicting brutal massacres and mission life, this film gets a lot right. And the model for its central protagonist may well be a young man called Narlim, exiled from his country in the late 1930s.
A series of four live-streamed concerts from Arnhem Land offers a welcome break from bad news and a way for Indigenous musicians to share their talents with the world.
Yothu Yindi’s music introduced the world to the Yolŋu clan traditions of northeast Arnhem Land. But few listeners know these songs echo long histories of engagement with Southeast Asian visitors.
The future of tourism depends on ensuring visitors do not wear out their welcome. Giving locals more of a say in tourism can help ensure they share in the benefits and minimise the costs.
Feral cats and pigs, mission grass and climate change - in western Arnhem Land, Indigenous rangers are battling many environmental threats. Through painting and performance, they are also telling ‘healthy country’ stories.
The yidaki, a musical instrument owned by the Yolngu people of North East Arnhem Land, is created by both termites and instrument makers, who tap trees to find hollow logs. A new exhibition tells its fascinating story.