Today marks six years since celebrated writer J. D. Salinger died at his home in Cornish, New Hampshire, at the age of 91. But his influence remains well and truly alive.
It seems to me no coincidence that in Australian popular culture our founding colony is usually the site of major onscreen attacks. Might this speak of cultural guilt and repressed truths?
The Hateful Eight has been praised as a violent but optimistic story of men working to come together – but it’s also been derided as a thinly veiled exercise in misogynistic violence.
There is something a little anxiety-inducing about knowingly walking into a closed theatre in which we will have no choice but to listen to the over-60s talk about their sex lives.
At the time of publication, the longevity of Jane Austen’s fifth novel Emma was far from guaranteed. And yet, 200 years later, it now seems immortal. This is the story of its remarkable life.
Ien Ang, Western Sydney University and Phillip Mar, Western Sydney University
Diversity is a vital part of a thriving art sector, yet only 8% of professional Australian artists come from a non-English speaking background. How can we beat “diversity fatigue”?
Quentin Tarantino has secured his place in popular culture by reaching into neglected corners of cinema for genres that are ready for reinvention and rediscovery.
Pope Francis’ new book provides an insight into the theology and life experiences underpinning his unorthodox approach to the papacy. Does his rhetoric conceal Church doctrine as hardline as ever?
The tennis world is the latest sport to be rocked by allegations of corruption, this time by reports of match fixing. So who are the winners and losers when such allegations are made?
Marginalised outsiders, community conflict and a bad reputation – the prosecution of Steven Avery and Brendan Dassey has all the hallmarks of the early modern witchcraft persecution. Warning: spoilers ahead.
True stories that enrich our public sphere are often drawn from the intimate and shared lives of their authors. Where is the line between rattling social proprieties and respecting others’ privacy?
Sean Penn’s interview with El Chapo hinges on a moral exploration of a man who lives in the public imagination as a super-villain. The story unravels because its voice does not enable moral insight.
Decluttering, spearheaded by Marie Kondo and Japanese minimalist consumerism, has taken on quasi-spiritual connotations. What are we actually trying to get rid of when we throw out all our stuff?
Bowie’s life has been under the microscope since he burst on the scene in 1969 with the smash hit, Space Oddity. We examine how the divided city of Berlin saved this extraordinary artist at his lowest ebb.
Dance and music move together in Anne De Keersmaeker’s new work at the Sydney Festival. Erin Brannigan was able to watch this layered and intricate performance come together in Berlin.
Bowie’s fast-moving and ground-breaking ideas about sexuality and gender allowed millions of young people to come to terms with their sense of difference.
The field of computational creativity examines the mechanisms by which technology can perform creative tasks, particularly in the arts. How can software create works of beauty, value and meaning?
Jette Steckel has bought the Sydney Festival a version of Woyzeck that is as exciting, uncompromising and disturbing now as it was when it was first premiered in 1913.
Why did Peter Dutton choose ‘witch’ when describing Samantha Maiden? The word has a long history of misogyny – particularly towards outspoken or powerful women.
Alice Duer Miller’s analysis of contemporary politics not only made anti-suffragist politicians look stupid. It also made her (and women like her) look completely capable of participating in the political sphere.