Netflix requires its narrative feature films be shot on approved cameras. This can lead to a flat, depthless look, in contrast to the graininess of celluloid.
Cate Shortland is behind low-budget, art-house films, which focus on women’s coming of age stories. Now, she brings her signature cinematic style to the Marvel Universe.
In myths and songs, Hairypeople were understood as human-like but uncivilised. Different responses to them in two Warlpiri communities show how colonisation has changed these monsters too.
Vaping is changing how smoking is depicted on our television and cinema screens. Where once cigarettes were portrayed as glamorous, vaping is linked with stress and struggle.
It’s no coincidence that more books about trees are popping up. There is an air of desperation in new books by Peter Wohllben, Janine Burke and others.
Pictures of boats and ships in rock art at the northwestern tip of Australia show the European incursions from the 1800s — but also the much earlier and lesser known sea trade with southeast Asia.
Australian surrealism has long been understood as if it was imported from Paris. This new exhibition places two Czech-Australian émigrés at the heart of the movement.
This ancient myth, in which a nymph transforms herself into a tree to escape the lustful attention of the god Apollo, has inspired countless retellings in art. Its themes resonate today.
A public monument, a place of memory and a crumbling testament to how far we’ve come. A centuries old church in windy Suffolk, England, is a world away.
The problem isn’t the film’s adherence to a tried and true formula, or its absolutely rudimentary narrative, but the flat and careless execution of it all.
New technology mapped the buried ancient Roman site of Falerii Novi. Now archaeologists have started targeted excavation and soil testing to reveal details of life from more than 2,000 years ago.
Journalism has rarely had a fiercer critic, nor a finer practitioner than the longtime writer for The New Yorker, Janet Malcolm, who died last week aged 86.
Two reports — from think tank A New Approach and ex-Grattan Institute director John Daley — say Australian art and culture hasn’t advocated for itself effectively. But we need to try something new.
We have found 140 quarry sites, where rock was excavated to make seed grinding stones, in the Channel Country of Central Australia. It’s part of a major project testing Bruce Pascoe’s hypothesis.
Dunlop’s 1838 poem, The Aboriginal Mother, about the suffering inflicted at the Myall Creek massacre, made the new immigrant from Ireland locally notorious.
None of us are going to be able to travel with ease to New York any time soon but this exhibition showcases the quality and depth of the Metropolitan Museum of Art’s collection.