Audiences know what it’s like to listen to Beethoven’s iconic works - but to play his creations as a concert pianist is to grab the music with both hands and join the composer in a powerful battle.
Though illegal, fortune telling was only sporadically prosecuted. Here, two women set up tents at the 1913 Adelaide Children’s Hospital fete.
State Library of SA
In the early 1900s, fortune-telling provided entertainment, social connection and a job for some Australians. Its legal status made criminals of women, yet allowed others entry to the police force.
Beethoven’s compositions combine power, rhythm and deeply felt meaning - and they did not come easily. The composer was ahead of his time, and he knew it, even then.
Rogue coffee cups and changing hairstyles can distract film audiences. Whose job is it to maintain continuity? And does it matter in the big picture?
When we are imagining this time, next year, are we limiting our thinking to how we avoid the conditions we faced in this summer? Or are there bigger questions we can ask?
Shutterstock
This year Ludwig van Beethoven turns 250. Though some of his creations have been overexposed, they are indisputably brilliant. And there are still others waiting to be discovered by music lovers.
Kangaroo skins are exported for use in football boots, motorcycle suits, fashion footwear and haute couture.
Carles Rabada/Unsplash
Pressure is mounting on fashion producers to stop using skins from Australian native animals. But Indigenous people are reviving traditions and there are ethical ways for trade to continue.
Though its use has grown in the last decade, the Anthropocene concept has been around since the 19th century.
John Cobb/Shutterstock
The term Anthropocene - previously known only to geologists and academics - has hit the mainstream. Now it’s being tweeted as shorthand for the negative effects humans have had on the planet.
Philip Pullman thinks this coin needs another comma. What do you think?
HM Treasury/PA
While popular portrayals of hairdressers and beauticians present them as “bimbos”, salons can also provide a refuge for clients to share painful realities.
Things to keep in mind for writers young and old.
Kenny Luo/Unsplash
Director Lee Lewis is at the top of her game in this play about family relations, Australia’s treatment of refugees, and the privledge inherent in the audience.
“Will it grow back Mum?” Younger family members want reassurance at Colo Heights, among the blackened trees and loose soil.
Indigenous kinship networks link each plant to the next and connect us to Country. Honouring this way of being and engaging in fair collaboration might give power to our heartbreak.
In The Visitors, seven senior law men discuss what to do about approaching ships, unlike anything they’ve seen before.
Victor Frankowski
Playwright Jane Harrison’s The Visitors shows audiences how a group of Indigenous leaders might have debated what to do when the First Fleet landed in 1788 - but where are the women?
With President Donald Trump’s frequent use of the term “witch hunt” he paints himself as a victim. The women persecuted in one of history’s darkest chapters should not be forgotten so easily.
Thirty years on, Bran Nue Dae still feels relevant.
Prudence Upton
From Peter O'Connor waving the Irish flag in 1906 to rainbow colours at Sochi, athletes have always used the Olympics to share their politics.
Catherine Hay Thomson went undercover as an assistant nurse for her series on conditions at Melbourne Hospital.
A. J. Campbell Collection/National Library of Australia
A passionate crusader for the rights of women and children, Catherine Hay Thomson went undercover to investigate their treatment in public institutions and testified before a Royal Commission.
When Indigenous elder Binno (played by William McPherson) teaches dances to three young men, a bigger plan emerges.
Christopher Woe
The world premiere of Nardi Simpson’s Black Drop Effect takes in the complex histories of Aboriginal responses to commemoration, and makes space for protest, cultural reclamation and negotiation.
Women at Brisbane’s Oasis Swimming Pool, January 1950.
Brisbane City Council