Menu Close

Arts + Culture – Articles, Analysis, Comment

Displaying 2026 - 2050 of 5203 articles

Pat Larter (England; Australia, b.1936, d.1996) Pat’s anger 1992. acrylic and mixed media on board, 91 x 60.5 cm; 92.5 x 62 cm. Art Gallery of New South Wales, Gift of Frank Watters 2018. Donated through the Australian Government's Cultural Gifts Program © Estate of Pat Larter. Photo: AGNSW 32.2018

Hidden women of history: Pat Larter, pioneering ‘femail’ artist who gave men the Playboy treatment

Best known as the subject of her husband Richard’s work, Pat Larter was herself a major artist.
Martin Sheen in the original Apocalypse Now. A new director’s cut of the film is being released this week – but is this self-indulgence or part of the artistic process? IMDB

From Star Wars to Apocalypse Now, director’s cuts are all the rage. But do they make the films any better?

Francis Ford Coppola’s ‘final cut’ of Apocalypse Now hits Australian cinemas this week. He joins a long list of directors who endlessly tinker with their work. But does it add anything to the films?
Grata Flos Greig, First Female Law Graduate, c1904, University of Melbourne. Flos was the first woman admitted to the Australian legal profession. University of Melbourne Archives, UMA/I/5131

Hidden women of history: Flos Greig, Australia’s first female lawyer and early innovator

When Flos Greig first entered law school, it was illegal for women to become lawyers. Undeterred, she lobbied for change and became the first woman admitted to the legal profession in Australia.
Most written works are not available in accessible formats, and this barrier affects about 168,000 New Zealanders. from www.shutterstock.com

NZ considers changes to copyright law as part of promise to help end global ‘book famine’

An estimated 90% of all written works worldwide are not available in accessible formats. New Zealand is implementing the Marrakesh Treaty to help change that.
Ben Quilty, Australia, born 1973. Margaret Olley 2011. Oil on linen / 170.0 x 150.0 cm. Collection of the artist. Courtesy the artist. Photograph: Mim Stirling

‘Are you one of us or one of them?’ Margaret Olley, Ben Quilty and a portrait of a generous friendship

Margaret Olley was known not only for her paintings, but her generosity. An exhibition of her work is currently on in Brisbane, alongside a survey of the work of Ben Quilty, her mentee and friend.
One of the artworks made as part of a project where Australians are sending artistic representations of the bird to politicians to protest the Adani mine, which threatens the bird’s habitat. Robyn Rich

Protest art: rallying cry or elegy for the black-throated finch?

Australian artists are protesting the Adani mine’s potential impact on the black-throated finch. The project is gaining traction online, but in this case, emotive art might not be enough.
Leigh Melrose as Brett Whiteley in Opera Australia’s 2019 production of Whiteley at the Sydney Opera House. The opera focuses on the artist’s addictions and his relationship with his wife. Prudence Upton

Opera Australia’s Whiteley brings together 3 icons to tell the artist’s complicated story

A new opera focuses more on the personal life of artist Brett Whiteley than his artistic creations. As the opera reveals, a life like Whiteley’s does not offer a clear moral message.
Ranger Trevor Bramwell on the walk up to the Split Rock art galleries in Cape York’s Quinkan Country in 2017. Rebekah Ison/AAP

Budj Bim’s world heritage listing is an Australian first – what other Indigenous cultural sites could be next?

The World Heritage Listing for Victoria’s Budj Bim fish traps was ground-breaking. Here are five other Australian Indigenous sites that also deserve greater attention.
Actress Lashana Lynch, pictured here in Captain Marvel, is rumoured to be playing 007 in the next Bond film. The films, which have consistently relied on misogynistic tropes, are in need of an update. Marvel Studios/IMDB

A black, female 007? As a lifelong James Bond fan, I say bring it on

Rumour has it British actress Lashana Lynch will play 007 in the next Bond film. If true, the move will be a welcome change to a franchise that has long remained the epitome of conservatism.
A ‘revenge body’ is built to show someone how well you are doing without them. With the advent of social media the phenomenon is increasingly popular. Shutterstock

Your body as a weapon: the rise of the ‘revenge body’ online

The ‘revenge body’ was once the domain of celebrity gossip. But with the advent of social media, anyone can publicly display a ‘new’ body post break-up.
Sculpture of ninth-century Persian scholar Al-Khwarizmi in Khiva, Uzbekistan. Latin discovery of Al-Khwarizmi’s work introduced the numerals 0-9, one of many ways in which Islamic cultures have contributed to Western civilisation. LBM1948/Wikimedia Commons

Explainer: what Western civilisation owes to Islamic cultures

Western civilisation and Islam are sometimes seen as diametrically opposed. Yet Islamic cultures have contributed much to the West, in language, philosophy and literature.
Whitlanders in the 1940s. Established in 1941 near the base of Victoria’s Mount Buffalo, this Catholic community celebrated the ‘dignity of manual labour’ and was led by a charismatic athlete and former judge’s associate, Ray Triado. Joe Pisani

Friday essay: the Australians who pioneered self-sufficiency, generations before Nimbin

Long before 70s hippies and hipster artisans, Australians were seeking solace by going back to the land. They ranged from anarchists to suffragists to Catholic agrarians.
Susie Porter as Marie and Kate Jenkinson as Allie in Wentworth. The show’s drama revolves around a women’s prison. Fremantle Media Australia/Xinger Xanger Photograph

Inside the story: writing the powerful female world of Wentworth

In the popular Australian TV series Wentworth, the setting of a women’s prison is a pressure-cooker for drama. The setting also allows for greater representation of diverse female characters.
Cio-Cio-San (centre) during a dress rehearsal of Opera Australia’s Madama Butterfly at the Sydney Opera House in Sydney in 2019. Works such as this are attracting criticism from some modern audiences. Stephen Saphore/AAP

Opera is stuck in a racist, sexist past, while many in the audience have moved on

Opera companies around the world are grappling with an ever-widening gap between a repertoire frozen in time and an increasingly critical audience.
Mella Jaarsma, The landscaper 2013, costume: wood, paint, iron and leather, single-channel video: 3:40 minutes, colour, sound. National Gallery of Australia, Canberra. Purchased 2018. Photo by Mie Cornoedus

Indonesian art is fresh, energetic and lively. Why do we not see more of it?

The exhibition Contemporary Worlds: Indonesia has many wonderful works. But it is an exception - despite our close proximity, there are few opportunities for Australians to engage with Indonesian art.
Anna McGahan as Charmian Clift in Sue Smith’s play Hydra. Long overshadowed by her husband George Johnston, recent years have seen a resurgence of interest in Clift’s life and work. Jeff Busby/Queensland Theatre

‘A woman ahead of her time’: remembering the Australian writer Charmian Clift, 50 years on

Fifty years after her death, Australian writer Charmian Clift is experiencing a renaissance. With her forward-thinking columns, Clift’s voice rose above the crowd during post-war Australia.
Walter Withers, ‘The Drover’, 1912, oil on canvas. A recent book reinterprets Henry Lawson’s The Drover’s Wife in 99 ways, offering new perspectives on the classic short story. Wikimedia Commons

Inside the story: 99 versions of the same tale in The Drover’s Wives

Ryan O'Neill’s book reimagines a classic Australian short story. He retells The Drover’s Wife 99 times in various forms, including a poem, an Amazon review, and even as a Cosmo quiz.