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Chadwick Boseman (T'Challa ) and Lupita Nyong'o (Nakia) in Black Panther (2018). In the film, natural hair is used as a social identifier. Marvel Studios, Walt Disney Pictures

The politics of black hair: an Australian perspective

Stigma about black or African hair reflects deep-seated politics around race and history.
Victorians who opposed the East West Link before the November 2014 election would have felt not much had changed when the new government announced the West Gate Tunnel in March 2015. Courtney Biggs/AAP

Sidelining citizens when deciding on transport projects is asking for trouble

Transport infrastructure has such an impact on what kind of city we become that more democratic planning is long overdue. But public consultation is typically limited and focused on design issues.
Tech companies can use differential privacy to collect and share aggregate data about user habits, while maintaining individual privacy. Tim Snell/Flickr

Explainer: what is differential privacy and how can it protect your data?

How should privacy be protected in a world where data is gathered and shared with increasing speed and ingenuity? Differential privacy, a new model of cyber security, provides a potential solution.
South Australian Premier Jay Weatherill and SA Best leader Nick Xenophon provided different narratives about youth populations in the state. AAP Images/Morgan Sette

FactCheck: is South Australia’s youth population rising or falling?

In a South Australian leaders’ debate, Jay Weatherill and Nick Xenophon disagreed over the extent to which young people are leaving the state in search of better opportunities. We asked the experts.
Vegetation ‘thinning’ in Queensland - a practice that was originally designed to restore forests and woodlands to a ‘representative state’. WWF-Australia

Queensland’s new land clearing bill will help turn the tide, despite its flaws

Queensland’s new draft land-clearing laws aim to put the brakes on years of environmental destruction. But the bill contains several loopholes that are likely to stymie progress.
Detail from Emily Kam Kngwarray, Anmatyerr people. Yam awely 1995 synthetic polymer paint on canvas 150 x 491 cm National Gallery of Australia, Canberra Gift of the Delmore Collection, Donald and Janet Holt 1995 © Emily Kam Kngwarray.

Friday essay: in defence of beauty in art

Today, beauty counts for little in the judgement of works of art. But our felt experience of beauty connects us with an object’s maker, revealing a pure moment of humanity.