The selfie has become an inescapable element of most cultural activities – be it art galleries or music festivals.
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Articles on Visual art
Displaying 261 - 280 of 318 articles
The British Museum’s exhibition is staunchly traditional. It didn’t need bells and whistles, but some modern responses wouldn’t have gone amiss.
With past controversies ranging from restoration to public toilets and present ones from oil sponsorship to selfie sticks, Gabriele Finaldi has a daunting task on his hands.
Gilbert & George have been creating work together since 1967. Their new show forces viewers to think about the language of control.
With two exhibitions opening in Sydney this week, Shaun Gladwell is returning home, with a star still in the ascendant.
Children’s drawings are an accessible and compelling image of the mandatory detention of children in isolated camps. Is that why they carry so much weight in the media?
Some 23 years after his death, Australian artist Brett Whitely’s vision continues to have resonance and will likely remain a defining representation of late 20th century Australia.
LA photographer Alex Prager is currently exhibiting short films and film stills at the National Gallery of Victoria (NGV) in Melbourne. There is something authentic behind the artifice of her highly staged…
We hear so much about the integrity of scientific process and the role of data in driving action on climate change – but what role is there for artists in bringing about changes in understandings? Science…
For four days in January, it could be argued that London is the centre of the global market for contemporary art, thanks to the London Art Fair, open from January 21 to 25. But this wasn’t always so. Such…
James Turrell: A Retrospective opens at the National Gallery of Australia (NGA) in Canberra on December 13. The show documents the Californian-born artist’s practice over almost 50 years, including his…
There are about 30,000 professional practicing visual artists in Australia today (see note). By professional, I mean exhibiting regularly in recognised commercial or public galleries and represented in…
In Australia’s somewhat subdued public sculpture scene, the McClelland Sculpture Survey – which runs until July 19, 2015 – provides a rare opportunity for witnessing contemporary public sculpture. This…
Western Australian artist Nola Farman’s practice has never followed a predictable trajectory. Her major work, The Lift Project (1979-82), is an important and influential contribution to Australia’s new…
There’s a problem with the history of western art: we face it from the wrong side of decades of discursive dismantling. The conventional “story” of early 20th-century modernism, in which an advanced guard…
What’s the key to understanding art? Could there be some easy steps to unpacking the meaning of an artwork? The short answer is: yes. I recently wrote an article for The Conversation called Three questions…
Paul McCarthy, the granddaddy of shock conceptual art, has gone and done it again. In a globally reported move, part-installation and part promotional-stunt to mark the imminent opening of Paris’s Foire…
The central premise of American director Lynn Hershman Leeson’s film !Women Art Revolution (2010), which screened at the Melbourne Festival over the weekend, is summarised near its conclusion: “When artists…
Primavera is the Italian word for springtime, and each spring since 1992 the Museum of Contemporary Art in Sydney has a curated selection of emerging artists under 35 years old – in the springtime of their…
Despite our interconnectedness through radio, television and the internet, the coverage of arts and cultural activities in Australia is viewed from a very close focus. This corrupts our understanding of…
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Top contributors
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Joanna Mendelssohn is a Friend of The Conversation.Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne
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Honorary Professor, Edith Cowan University
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Adjunct Professor of Art History, Australian National University
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Professor in Art, Curtin University
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Senior Lecturer of art history, Griffith University
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Senior Industry Fellow, RMIT University
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Honorary Senior Lecturer, Australian National University
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Honorary Lecturer, School of Literature, Languages and Linguistics, Australian National University
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Author and Research Fellow, UNSW Sydney
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Emerita Professor, Art History and Curatorship, University of Adelaide
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Associate Professor at UNSW Art & Design, UNSW Sydney
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Senior Research Fellow, Victorian College of the Arts, The University of Melbourne
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Visiting Researcher in Journalism, Media and Cultural Studies, Cardiff University
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Lecturer in Interdisciplinary Creative Practice, University of Tasmania
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Lecturer in Screen and Cultural Studies, The University of Melbourne
