Peta Clancy, Undercurrent 1, from the series Undercurrent, 2018-19, inkjet pigment print, W120 x H85cm each image approx.
Courtesy the artist
There is a long history of cultural silence on the frontier wars that characterised Australia's colonisation. Peta Clancy's exhibition invites us to see this history in the Victorian landscape.
These images of Cherine Fahd’s grandfather’s funeral were tucked away in a brown paper envelope for decades. As a society, we too often keep grief hidden from view.
Rarely seen in the family album are photographs of funerals, burials and the suffering of those who are left to mourn.
Youth dance troupe Stompin performed their thought-provoking work Nowhere as part of this year’s Ten Days on the Island.
Jacob Collings, Lusy Productions
Despite the diversity of art and performance on display at the tenth Ten Days on the Island festival, key themes emerge: life, death, and Tasmania's colonial history.
Artist Janet Laurence is ferocious and uncompromising in her work.
A new survey exhibition of contemporary artist Janet Laurence urges us to reconsider the relationship between art, nature and politics.
Installation view: Quilty featuring Pancreatitis (Kenny), The Last Supper (Bottom Feeder) and Farewell virginity by Ben Quilty, Art Gallery of South Australia, Adelaide, 2019.
Photo: Grant Handcock.
Ben Quilty is the next big thing in Australian art. Will he be allowed - and will he allow himself - to explore and find his true potential as an artist?
Nora Heysen, Self-portrait 1934 oil on canvas 43.1 x 36.3 cm.
National Portrait Gallery, Canberra Purchased 1999 © Lou Klepac
Nora Heysen was the first woman to be awarded the Archibald Prize, but for most of her life she was defined not by her art, but by her relationship to her famous father, the artist Hans Heysen.
Song dynasty 960–1279 Feng Dayou (active mid 12th century) ‘Taiye lotus pond’, album leaf, colours on silk.
23.8 x 25.1 cm. National Palace Museum, Taipei
Photo: © National Palace Museum, Taipei
The first major loan to Australia from a repository of canonical art works of Chinese culture deserves to be seen by all those interested in Chinese art.
Garry Sibosado, Aalingoon (Rainbow Serpent), 2018, ochre pigment on engraved pearl shell, detail.
Courtesy the artist
Indigenous artists and arts centres from the Kimberley region were invited to help curate this new exhibition, presented as part of the Perth Festival 2019.
Portrait of Ruby Lindsay, published in The drawings of Ruby Lind, 1920.
Often overshadowed by her famous brothers, Ruby Lindsay found ways to challenge the restrictive gender roles of early-20th Century Australia.
Portrait of Caterina Cornaro, Queen of Cyprus, c. 1500, by Gentile Bellini.
One of the most significant woman of Venice’s golden age, Cornaro was an important figure in Renaissance politics, diplomacy and arts.
Anna Breckon and Nat Randall, Rear view 2018 (still),
high definition digital video, multi-channel sound, 85:11 mins
Courtesy of the artists Photo: Andrew Curtis
Through animation, video, light and sound, Theatre is Lying exposes how visual art, performance and theatrical devices can interrogate what is real and what is not.
Detail from Alex Seton’s A Durable Solution? - a series of memorial plaques naming the 12 men who have died under our ‘care’.
Sullivan & Strumpf
Alex Seton's sculpture A Durable Solution? dominates the protest exhibition at the forthcoming ALP national conference. He has also created an official memorial to Australian soldiers killed in Afghanistan
Tokyo design studio nendo responds to the work of M. C. Escher.
There is nothing to prepare us for the shock to the senses in the National Gallery of Victoria's latest exhibition combining the works of M. C. Escher with Japanese design firm nendo.
‘Four uprights, red and black’ [TP62] c1965
polyvinyl acetate and pigment on hardboard
122 x 183 cm
Art Gallery of New South Wales, Sydney, gift of Frank Watters 2018, donated through the Australian Government’s Cultural Gifts Program © The estate of the artist
Forty-five years after his death, the Art Gallery of New South Wales has mounted a major exhibition of Tony Tuckson, focussing on his intensely personal Abstract Expressionist works
Kathleen Petyarre looking across Atnangker country, Northern Territory, December 2000.
Photograph Ian North; courtesy Wakefield Press
Petyarre, who won the Telstra prize for Indigenous art in 1996, has died in Alice Springs.
Kamsani Bin Salleh and Matthew McVeigh, Foodland, 2018, found metal sign and acrylic, 125 x 400 cm.
Janet Holmes à Court Collection
This Perth exhibition is a raucous, overwhelming, exciting and at times confusing immersion into ideas about national identity.
pH. John Walter, 2017. Photograph by Jonathan Bassett.
There are many ways of visualising scientific concepts, as we discovered when an artist got in touch about some of our work.
Lifetime Supply. Bee Hughes.
Art can be a powerful means to confront and subvert stigma around menstruation.
Detail from Witchetty Grub Dreaming, Jennifer Napaljarri Lewis, Warlukurlangu Artists of Yuendumu.
Courtesy of the artist
A new exhibition pairs paintings by Indigenous Australian artists with microscopic images captured by scientists. The parallels, as this gallery of pictures shows, are intriguing.
Paul Signac, ‘Leaving the Port of Marseille’ 1906/7 oil on canvas, 46 x 55.2 cm, The State Hermitage Museum, St Petersburg, Inv GE 6524.
Photo: © The State Hermitage Museum 2018, Vladimir Terebenin.
In the early 20th century, two families of collectors brought the best of modern French art to Russia. Many of their paintings - including works by Picasso, Matisse and Cezanne - can now be seen in Sydney.