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Arts – Articles, Analysis, Comment

Displaying 251 - 275 of 619 articles

In the cases of both sculptor Camille Claudel (1864-1943) and Britney Spears, we see situations where talented women were declared mentally unfit after family interventions. (Wikimedia Commons/CP PICTURE ARCHIVE/Paul Chiasson)

Britney Spears’s conservatorship alludes to an older story of controlling women artists

Family members seeking to control women artists isn’t new. In the 1920s, doctors thought sculptor Camille Claudel could be released from the care of an asylum, but her family refused.
A sculpture of two saints meeting and embracing embodies the importance of touch in Renaissance culture as a form of devotion and ultimately a way to access the divine. (Renaissance Polychrome Sculpture in Tuscany database)

Belief in touch as salvation was stronger than fear of contagion in the Italian Renaissance

After a year of pandemic social distancing, we know touch is a much-desired privilege. In the Italian Renaissance, people longed to touch not only each other, but also religious sculptures.
A woman walks past a mural in Vancouver, B.C. The power of public art is its ability to turn artistic practice into a social action. THE CANADIAN PRESS/Marissa Tiel

Bringing art into public spaces can improve the social fabric of a city

When public art pairs artistic expression with community engagement, it can honour the diverse communities that share public spaces and spur important conversations.
The ‘Fast and Furious’ franchise’s focus on kinship allows the films to swerve around narrative logic and whiz past characterization. (Universal Pictures)

Fast & Furious 9: The spectacular melodrama is exactly what a return to cinema needs

The ‘Fast and Furious’ films pay fetishistic attention to the movements, sounds and shiny surfaces of machines. But family is the moral centre of the fanchise.
Eugene Levy, who co-created ‘Schitt’s Creek,’ with son Dan Levy, arrives on the red carpet at the 2016 Canadian Screen Awards in Toronto in 2016. THE CANADIAN PRESS/Chris Young

‘Schitt’s Creek’: Where ‘Jews of no religion,’ facing exile, find redemption

Critics who ignore or simply miss the Jewishness of the ‘Schitt’s Creek’ characters fail to appreciate this key aspect of the show’s inclusive reach and appeal to diverse viewers.
‘An Olympic Dream: The Story of Samia Yusuf Omar’ recounts how the Somali Olympic runner drowned while trying to reach Italy in 2012. (From Reinhard Kleist's 'An Olympic Dream: The Story of Samia Yusuf Omar/SelfMadeHero)

Comics and graphic novels are examining refugee border-crossing experiences

Comics about migrant experiences seek to expose personal perspectives about the global crisis of 80 million individuals and families forcibly displaced worldwide.
A group of policemen in Marseille, France, pass in front of a bus shelter featuring a poster from the television series ‘Paris Police 1900’. (Shutterstock)

Cop shows: Should they be cancelled or rebooted?

The classic cop show is now a problematic genre, but if it can change, then perhaps real world policing can too.
Artist Alanis Morissette receives her lifetime achievement award from the Canadian Music Hall of Fame during the 2015 Juno Awards. THE CANADIAN PRESS/Nathan Denette

Junos 50th anniversary: How we remember these award-winning hit singles

Known variously in Juno history as ‘Best Single,’ or ‘Best-Selling Single,’ and now ‘Single of the Year’ this award always garners attention. Reflections on select singles since 1979.
Artist Steven Shearer’s untitled billboard images of reclining and sleeping people were displayed as part of Capture Photography Festival in Vancouver but were soon removed due to complaints. (Dennis Ha)

Vancouver billboards by artist Steven Shearer evoked intimacy where people least expected it

Examining parallels between Steven Shearer’s billboard images and religious figures of 17th century baroque art allow a consideration of how context is everything when it comes to reading images.
Yuh-Jung Youn, winner of the Oscar for best actress in a supporting role in ‘Minari,’ poses at the Academy Awards, and the film’s director, Lee Isaac Chung, arrives at the ceremony at Union Station in Los Angeles on April 25, 2021, (AP Photo/Chris Pizzello, Pool)

‘Minari’: Part of a wave of 2nd-generation storytelling about what it means to participate in America

Second-generation storytellers are being candid about challenges and benefits of creative careers in the face of family hopes or fears, or societal resistance to hearing marginalized narratives.