“Never Have I Ever” is a fresh, fun and poignant addition to television’s repertoire of coming-of-age stories, especially for stories of Indian teenage girls.
The hyper-competitiveness of Michael Jordan may work on the basketball court, but the win-at-all-cost American culture that Jordan represents is not what’s needed to end the coronavirus pandemic.
Netflix has added millions more subscribers as people practice social isolation to control the coronavirus. But service’s diverse menu of content is not an efficient business model.
Apps like Houseparty and Netflix Party are helping people stay in touch with friends - but do these apps have cyber dangers that we need to be aware of?
As the pandemic moves us indoors, it’s time to reconsider our understanding of ‘screen time’ – especially since we’re relying on our devices now more than ever.
The founder of a black hair-care empire supported the NAACP and the Tuskegee Institute, helped preserve Frederick Douglass’s home. She also tried to used her prominence to stop lynching.
Television series Stateless examines our treatment of asylum seekers through ‘people like us’. It also highlights how far conditions for people transferred to offshore detention have deteriorated.
Anna Potter, University of the Sunshine Coast et Amanda Lotz, Queensland University of Technology
With commercial broadcasters threatening to thumb their noses at local content quotas, it’s time government finds new tools appropriate for the 21st century television environment.
Binge-watching is commonly seen as related to media content addiction. It usually occurs when an audience watches a series of episodes streamed through the one platform.