There is something a little anxiety-inducing about knowingly walking into a closed theatre in which we will have no choice but to listen to the over-60s talk about their sex lives.
Dancers create spiralling, flowing patterns in Anne Teresa De Keersmaeker’s Vortex Temporum at the Sydney Festival.
Courtesy of the Sydney Festival.
Dance and music move together in Anne De Keersmaeker’s new work at the Sydney Festival. Erin Brannigan was able to watch this layered and intricate performance come together in Berlin.
German director Jette Steckel has bought an urgent, vivid and highly phyiscal version of Woyzeck to the Sydney Festival.
Woyzeck, Sydney Festival 2016.
Jette Steckel has bought the Sydney Festival a version of Woyzeck that is as exciting, uncompromising and disturbing now as it was when it was first premiered in 1913.