Images taken out of a research context and shared with the public offer a way to connect scientists with the broader world – and vice versa. These photos are stunning examples.
It was only in the late 1990s, as the world became more interested in South African photographers’ work, that Goldblatt’s work was identified as extraordinary.
Simpson, who has made the black body the focal point of her work, discusses her biggest influences and the challenges of creating in our current cultural and political climate.
Refugee women’s voices are often left out of resettlement policy. A participatory research method called photovoice helps uncover resettlement issues from their perspectives.
Whether at a family gathering or in a research lab, getting access to images immediately was a game-changer. And Land’s innovations went far beyond the instant photo.
If we’re going to grasp what makes Eakins’ art so tragically powerful, we should be honest about the man who made them – and the impulses that drove him.
Collectable cigarette cards once depicted ‘exotic’ beauties, classified by the colonial eye. And today’s beauty contests still present women as exotic representatives of their nation.
The distinctive visual style of Robert Mapplethorpe’s beautiful, oversized images seems now more classical than shocking. But he can still reveal the subconscious of an era we think we have outgrown.
Rhonda Senbergs photographed the Australian art world for over 25 years until her death in 1998. From Fred Williams to Bob Hawke to Margaret Olley, many were captured by her lens.
Ryan Kelly’s iconic photograph from Charlottesville evokes a ‘Unite the Right’ moment from 1937 – and the anti-war masterpiece by Picasso that emerged from it.
In late 2015, 200,000 refugees a month were arriving on the Greek island of Lesvos. Tasos Markou went there to photograph their plight - and ended up joining the locals to help the new arrivals.
Pride Month: It’s time to talk about the shockingly high rate of suicide among gay and bisexual men. Photos and stories in the Still Here project document the complex reasons.
In the 10 years since Google Street View launched, the platform has provided ample fodder for artists, who have used it to comment on surveillance, poverty and gentrification.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne